THE REAL GONE SINGLES BAR #138

With January now underway, this visit to the Singles Bar offers a great and varied selection of new and recent sounds. We’ve got a pair of power pop bangers, the return of some industrial legends, some alternative electronica from a band making their debut in 2026, and more besides. There should be more than enough here to remind people that Real Gone is so much more than “a metal site”, setting us off with best foot forward for the coming year! As always, we hope you find something new to enjoy…

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KMFDM – Let Go

It’s hard to believe that the release of ‘Let Go’ ties in with KMFDM’s 40th anniversary. In some ways, it’s just as hard to believe that this record comes a whole decade after the brilliant ‘Kunst’, which at the time of this release, still felt like a recent work. No matter how much time passes, though, there are few things as reliable as a new album from Sasha ‘Käpt’n K’ Konietzko and his team. Fans know that a KMFDM record will give them pretty much what they’d hope for, and occasionally more…and that’s very much the case with this disc. Even after four decades on the road, on the bulk of ‘Let Go’, the KMFDM machine shows no sign of burnout.

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THE REAL GONE SINGLES BAR #35

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. Despite January being a quiet time, there’s been very little sign of anything slowing down here. This time around, we bring you electronica based sounds, the return of some industrial heroes, some brilliant and slightly kitschy alt-pop, a couple of massive rockers…and more. Hopefully, that means there’s something here for everyone…and if you find something new to enjoy, as always, please drop by and tell us!

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REAL GONE GOES OUT: KMFDM – Islington Academy, London 20/04/13

‘Kunst’, the eighteenth studio release from KMFDM, is one of the best of their long career.  On 20th April Real Gone had the opportunity to catch the band during their UK visit to see how well the new material fit in with their live set, when the cult industrialists headlined a four band bill.

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