Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time out, we welcome back two favourite goth themed bands, throw a spotlight on a classic sounding power ballad, and among other things, celebrate a couple of tunes with a funk core. As always, we hope you find something new to enjoy!
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Valerie Forgione – aka Lovina Falls – creates a strange and sometimes dream-like world on her 2025 EP ‘Would That It Were’. Its five tracks create a great extension of the sounds shared on 2023’s ‘Calculating The Angle of Our Descent’, bending pop, synth, dream pop and melodic 90s influences into new shapes, on material that invites its audience to listen closely.
This week’s visit to the Singles Bar is big on variety. We’ve got retro rock, some very 90s inspired dream pop gold, a great track from an up and coming Irish singer songwriter, a superb acoustic track and more besides. With very little fitting a “household name” at the time of release, this is testament to how much great new music there is being released at the beginning of 2026. As always, we hope you find something new to enjoy!
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Across two enjoyable releases, ‘North’ (2019) and ‘Scene’ (2022), San Francisco’s The Morning Line celebrated a very 90s brand of pop rock, with an array of songs driven by jangling guitars and harmonious vocals. Often sounding like a cross between peak Connells and the lighter elements of Soul Asylum circa ‘Candy From A Stranger’, their best songs had the power to uplift, and in the case of ‘Looking Right At You’ and ‘Make Believe’ (very much highlights from ‘Scene’) even shared a nostalgic quality, despite being newly written.
Scottish singer songwriter Stephen McCafferty first reached an audience as part of indie rock band Return To The Sun, with whom he gained support from Radio X, while still broadcasting under the XFM name. After the band dissolved, Stephen disappeared. It seemed that, despite support from some high places, he wasn’t going to persue a career in music any longer.
He returned as as solo artist in 2020 with a digital single, ‘Spectre of Light’, but due to everyone being more concerned with a global pandemic and everything closing down, it didn’t appear to make a huge impact. Following another spell out of the spotlight, Stephen re-appeared again in 2024, by which time, the musical landscape looked rather different. His songs, however, remained as solidly written as ever, and his track ‘What Are We Waiting For’ – released digitally in January of that year – re-introduced listeners to a composer capable of a sharing thoughtful lyric, but just as importantly, someone blessed with a melodic ear that could potentially take his new material to an even keener fan base.