Tag Archives: pop rock

THE REAL GONE SINGLES BAR #111

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We’ve reached the halfway point of 2025, and the digital singles still keep coming! There are a couple of familiar names appearing in this visit to the Singles Bar, but with a mix of genres and the help of a really inspiring cover tune, this selection continues our streak of great submissions. Alongside a country singer reviving a tune that deserves to find a new audience, we’ve got the debut track from a new rock band from Belfast, a semi acoustic piece from an interesting solo venture, a strong throwback to 70s pop-rock, and more besides. As always, we hope you find something new to enjoy.

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EMILY ZUZIK – Age + Alchemy EP

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When thinking of singer songwriters, Emily Zuzik certainly won’t be the first name that comes to most people’s minds. However, the Los Angeles based performer has had an interesting career. In addition to releasing work under her own name dating back to the early 2000’s, she’s collaborated with Moby, Enchanted Kids and several other artists. Dip into her back catalogue and you’ll find material from an artist who doesn’t want to be pigeonholed. Her 2006 release ‘You Had Me At Goodbye’, for example, features guitar driven pop-rock that would be perfect for a ‘Trouble’-era P!nk (‘Potential’), tunes that are Sheryl Crow-esque (pop-rocker ‘Subtraction’ and the country tinged ‘Breaking It Down’), light vocal jazz (‘Fascinating’) and even a number that sounds like something from the Morcheeba back catalogue (‘Stand Up Stand Out’). …And yet, Zuzik’s strong vocal presence is such that the material never feels like a musical grab-bag. The album is the work of a performer who not only appears to have sucked up a world of influences like a sponge, but also clearly believes in their art.

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REAL GONE GOES OUT: Wheatus – Brighton Centre, Brighton, East Sussex 14/2/2025

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Back in the year 2000, it was hard to avoid Wheatus. The rock-pop band’s song ‘Teenage Dirtbag’ was a hit on a massive scale. Not just in the UK; it also hit the top three of the singles chart in Ireland, Germany, Australia, Switzerland and Belgium and Austria. In three of those countries, it even reached the coveted top spot. Its peak of #7 on the US Billboard Hot 100 seems almost conservative by comparison, but the band’s career certainly began with a bang. A cover of Erasure’s ‘A Little Respect’ was also a hit and a debut album was well received, but as far as many people are concerned, Wheatus subsequently disappeared and are best remembered as a flash in the pan success, much like Deep Blue Something a few years earlier.

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THE REAL GONE SINGLES BAR #91

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the previous few weeks. This selection takes in a couple of familiar acts – a massively cult Australian band, and someone making yet another return to the SB. As usual, the selection of tunes also explores a few slightly less familiar avenues. You’ll discover a slice of jazzy, downbeat singer songwriter fare, something with a strong soul bias, and even a new offering from a cult post punk act. As with the best previous Singles Bars, we’ve given no bias towards any particular genre, and feel that this particular selection really highlights how much good music has started to emerge now that 2025 is properly underway. Enjoy!

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THE REAL GONE SINGLES BAR #83: FESTIVE EDITION

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For this visit to the Singles Bar, we bring you a very special selection of tracks. As we get ready to wave goodbye to another year, these singles represent the very best of 2024’s alternative Xmas wares. We’ve got some great pop from an unfamiliar name, a brilliant pop-rock tune from Scotland, a massive old school country banger, a superb reworking of a genuine festive classic and more besides. Merry Christmas, everyone. (Normal service will resume at the SB next week!)

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