Since their formation, Young Martyrs have been a reliable source for great singles. In particular, ‘Everyone Else Disappears’ presented a great radio friendly pop rock sound that provided an easy entry point into the band’s catalogue with its very melodic, chorus driven approach, while the Americana themed ‘Never Gave You The Blues’ offered a more mature angle in terms of songwriting, and the more recent ‘Is There Anybody Out There?’ flaunted a more epic sound with its use of contrasting power chords and harmony driven vocals. All three of these recordings shared elements which could’ve been the work of three different bands, but in their own way, each showcased Young Martyrs as an act to keep an ear for in future.
Tag Archives: pop rock
THE REAL GONE SINGLES BAR #155
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time out, we bring you a really noisy piece of retro indie rock with a shoegaze overtone, a collaboration that serves up some late 60s tones doused with a 90s coolness, a pleasingly mellow track dominated by an aching vocal, and more besides… As always, we hope you find something new to enjoy!
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IAIN MATTHEWS – Rhythm Of The West: The Columbia Years 1975-1977
In 1970, Iain Matthews formed band Matthews Southern Comfort, a top notch country rock band which would become his main musical vehicle following his departure from Fairport Convention. Formed essentially as a vehicle to promote Iain’s 1969 solo album of the same name while out on the road, they’ll always be remembered for their UK number 1 hit with a cover of Joni Mitchell’s ‘Woodstock’ – a recording very much modelled upon the Crosby, Stills, Nash & Young recording – but the band recorded a lot of strong material across two more rather fine albums. Over the next couple of years, Matthews barely rested; by the end of 1972, he’d recorded and toured with country rock band Plainsong and also recorded a brilliant solo album,‘If You Saw Thro’ My Eyes’. That would ultimately be the springboard for a run of great solo records over the next decade.
By the mid 70s, Matthews had already amassed an impressive body of work. His albums ‘Tigers Will Survive’ (1972), the marvellous ‘Valley Hi’ (1973), ‘Journeys From Gospel Oak’ and ‘Some Days You Eat The Bear’ (both released in 1974) shared a typical mix of folk, country and pop-rock tunes mixing covers with original material, but 1975’s ‘Go For Broke’ found Iain taking a dip into slightly more commercial waters. …And it’s with that album – a slightly overlooked entry in the Matthews canon – that ‘Rhythm of The West: The Columbia Years 1975-1977’ begins its look back at another prolific period for the singer-songwriter.
THE REAL GONE SINGLES BAR #151
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time out, we welcome back two favourite goth themed bands, throw a spotlight on a classic sounding power ballad, and among other things, celebrate a couple of tunes with a funk core. As always, we hope you find something new to enjoy!
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LOVINA FALLS – Would That It Were EP
Valerie Forgione – aka Lovina Falls – creates a strange and sometimes dream-like world on her 2025 EP ‘Would That It Were’. Its five tracks create a great extension of the sounds shared on 2023’s ‘Calculating The Angle of Our Descent’, bending pop, synth, dream pop and melodic 90s influences into new shapes, on material that invites its audience to listen closely.