This visit to the Singles Bar shares several interesting tracks, showcasing the variety of sounds that, arguably, are really helping the music scene to feel particularly interesting, at the mid point of 2026, amid a UK heatwave. We’ve got LGBTQ+ themed pop-rock, some great synth pop, an inspired metal cover, some absolutely superb country pop/roots rock…and more besides. As always, we hope you find something new to enjoy!
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We’ve reached the end of another year, and the Real Gone Singles Bar has gone from strength to strength. As is always the case, we’ve received far more submissions over the past six months than we could possibly hope to cover, and ended up with a lot of great tracks that just didn’t find a home in the original weekly columns. Some things are too good to pass by, though, so as is traditional, we’ve rounded up twenty of the best tracks that didn’t get covered upon release and created the Singles Bar New Year’s Eve Lock In! We’ve got a great new wave inspired track, a couple of absolute bangers from the metal world, a little Americana, some jazzy yacht rock, funk, power pop and goth. With the help of a couple of singer-songwriters along the way, we hope there’s something in this selection for almost everyone as we count down to midnight…
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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time around, we bring you an unexpected cover tune, two slices of top drawer power pop, and among other things, a great track that bends elements from various different genres into something genuinely interesting. As always, we hope you find something new to enjoy.
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It seems unbelievable that we’ve reached December already. It was only Easter a few weeks ago. Nevertheless, the end of the year is fast approaching and, as is traditional, we’ll be counting down the days to Xmas with the Real Gone advent calendar!
When thinking of singer songwriters, Emily Zuzik certainly won’t be the first name that comes to most people’s minds. However, the Los Angeles based performer has had an interesting career. In addition to releasing work under her own name dating back to the early 2000’s, she’s collaborated with Moby, Enchanted Kids and several other artists. Dip into her back catalogue and you’ll find material from an artist who doesn’t want to be pigeonholed. Her 2006 release ‘You Had Me At Goodbye’, for example, features guitar driven pop-rock that would be perfect for a ‘Trouble’-era P!nk (‘Potential’), tunes that are Sheryl Crow-esque (pop-rocker ‘Subtraction’ and the country tinged ‘Breaking It Down’), light vocal jazz (‘Fascinating’) and even a number that sounds like something from the Morcheeba back catalogue (‘Stand Up Stand Out’). …And yet, Zuzik’s strong vocal presence is such that the material never feels like a musical grab-bag. The album is the work of a performer who not only appears to have sucked up a world of influences like a sponge, but also clearly believes in their art.