If you believe a lot of the press Marc Valentine has gained over the couple of years prior to this album’s release, he’s been labelled as the great saviour for British power pop. It’s sort of understandable, considering that he’s not only dabbling in what’s essentially a very American sound, but also, he doesn’t really have too many UK based peers. There’s Portable Radio, of course, and a few others lurking within the true underground, but most British power poppers seem to be relics of a post punk boom; skinny tie wearing combos associated with 1979 episodes of Top of The Pops, and celebrated on Gary Crowley’s excellent Punk and New Wave box set of 2017.
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THE REAL GONE SINGLES BAR #40
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. Our popular feature continues to gain attention and we’ve had a flood of submissions this week. Picking a few of the best, as always, we’ve attempted to bring you a variety of sounds, from punky power pop to a soul/rap crossover, from indie rock to an unexpected Japanese arty piece. Hopefully, these choices capture the quirkiness we always aim to bring…and we hope you find something to enjoy!
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THE REAL GONE SINGLES BAR: A NEW YEAR’S EVE LOCK IN 2023
After launching the Real Gone Singles Bar in June 2023, we found ourselves covering an even broader range of music than before. It became a natural home for anything that mightn’t see a follow up album, or music that, perhaps, might not lead to a full review. The popular feature also became an easy way to introduce people to new music, and our inbox became very busy. Naturally, by limiting the feature to eight tracks per week, not everything made the cut. In fairness, not everything deserved to, but we heard a lot of stuff that was too good to not share.
MARC VALENTINE – Skeleton Key / Will You Still Love Me Tomorrow?
Marc Valentine’s ‘Futura Obscura’ album, released during the death throes of 2022, tapped into a whole world of old fashioned power pop sounds. Its wall of guitars drew heavily from a world of early 80s heroes, but also from early Weezer, and Valentine’s hooky approach to songwriting ensured that a selection of huge choruses sounded great, whatever the era and however much his core sound relied on a throwback quality. His 2023 single ‘Jinx of Finchley Road’ went a step further in the infectious stakes by adding a world of tinkly keys to a marching beat, instantly shifting his retro pop from Weezer-world into a place where the ghosts of Jellyfish loomed with a largeness that was impossible to ignore. If Valentine hadn’t previously been on the list of power pop performers to look out for, this was a single that would certainly get him more of the attention he deserved.