RED MESA – Partial Distortions

Red Mesa’s second album ‘The Path To The Deathless’ brought the world a selection of finely crafted riffs during the pandemic lockdown of 2020. At the album’s most melodic, tracks like ‘Death I Am’ injected an extra spookiness into a classic desert rock backdrop; at its most groove laden, Red Mesa blended the driving elements of early Sabbath’s faster offerings with an extra layer of fuzz that looked back to classic Corrosion of Conformity, and when occasionally stretching for heavier sounds, their slow and oppressive riffs showed a love for the mighty Electric Wizard. In terms of taking a bunch of key influences and chucking them into a giant stoner metal stew, it was the kind of album that genre fans would love.

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THE REAL GONE SINGLES BAR #33

Welcome back to the Real Gone Singles Bar! For our first SB feature of ’24, we’ve dug deeply into our inbox of mp3s and assorted goodies to bring you another round of quick fire entertainment in our usual style. You’ll find the usual variety, with a dose of melodic punk, some alt country, huge rock and even some progressive black metal to tempt you. With January traditionally being a little quieter for submissions, we’ve taken the opportunity to include a couple of older tunes here that didn’t get covered during the last weeks of 2023, but that doesn’t mean a dip in quality. After all, you can’t put a sell by date on great music! As always, if you feel you have something of interest that you feel would suit a future Singles Bar – or a full review – at Real Gone, please don’t hesitate to get in touch…

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The Real Gone End of Year Round-Up 2023

We seem to say it every December, but this year has gone so quickly. We’ve fit a lot into twelve months, of course. Over the last twelve months, Real Gone has picked up a truckload of new followers and regular visitors; we’ve discovered new bands, reconnected with a couple of familiar faces, and given more column inches to old favourites.

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YAWNING BALCH – Volume Two

Yawning Balch – the collaborative project shared between the members of desert rock band Yawning Man and Fu Manchu’s Bob Balch – unleashed a sprawling giant with their debut release. ‘Volume One’ shared three lengthy instrumentals where the musicians absorbed themselves in a stoner friendly, wavering landscape; it’s improvised riffs going deeper into the desert rock world than many had gone in a long time. It was the perfect record for late night listening, and suggested that, if and when a second volume should arrive, Yawning Balch had the potential to be one of the greatest deep psych/stoner bands ever.

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IN THE PONDS – The Last Stop Ranch

On their 2022 release ‘Polar Night’, instrumentalists In The Ponds crammed a variety of musical moods into a very short playing time. Ranging from spooky, almost prog rock inspired echo driven guitar (‘Lonesome George’) to an atmospheric, David Lynch inflected ambience (‘Someone’s Always Watching’), and even supplying a nod to the distorted blues of The Groundhogs (‘Haruki On The Sand’), it was the kind of EP that created a great musical CV.

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