THE CHASE – Not The F*cking Game Show EP

Indie rockers The Chase began issuing digital singles in 2018. Over the course of the next three years – and amid a global pandemic – they kept up an online presence by drip feeding their audience new material sporadically, one track at a time. Each new tune seemed to suggest bigger and better things, leading to high hopes for a full release somewhere down the track. With gigs back on the table for many bands by the beginning of 2022, things started to fall into place, and The Chase eventually released their debut EP, ‘Not The F*cking Game Show’ in May.

Continue reading

THE SILVER LINES – Sleaze EP

London based rock band The Silver Lines sometimes convey a very retro sound, but unlike some, they’re keen to take a few key influences and at least try to twist them into something new. On their debut EP, you’ll find swathes of retro indie jangle, even a heavy dose of funk, and yet the band never sound as if they’re settled within either camp. Their sound can seem a little busy, yet remains focused; their song writing is hooky, but never anthemic. You might say that The Silver Lines sound absolutely natural – and that would certainly be true of frontman Dan Ravenscroft’s unmistakably British vocal delivery – but whichever way you approach their music, there’s something interesting lurking beneath the surface.

Continue reading

UGLY RUNNER – Romanticizer EP

Hailing from Asheville, North Carolina, three piece rock band Ugly Runner make a gloriously retro noise on their debut EP ‘Romanticizer’. Across its lean and mean nineteen minutes, you’ll hear echoes of the Stooges, Pixies, The Strokes and more as the band presents six tracks of fierce garage rock mixed with the noisier end of late 80s indie.

Continue reading

SCANDINAVIA – World Power

scandinavia-lpLondon-based indie rock conglomerate Scandinavia are an odd bunch. When they liken themselves to both The Replacements and Hall & Oates and then confront you with music that sounds like neither, well, it’s an interesting proposition to say the leasy. Maybe their own self-chosen comparisons aren’t meant to be direct references, but rather more to assure you that their musical boundaries are wide open – which they very much are: their fourth studio album, ‘World Power’ is nothing if not eclectic.

Continue reading