The Fierce And The Dead’s fourth album, ‘News From An Invisible World’, marked a bold step forward for the band. With that record, they took their already distinctive sound from an instrumental, post-rock sphere into something song based with the addition of Kevin Feazey’s vocals. This had the effect of making a couple of their songs sound a little like a more interesting Queens of The Stone Age with proggy inflections, but it proved they were willing to push boundaries to an extent that might even alienate some of their fans. It was such a dramatic shift, but it was a gamble that paid off; the album was well received by fans and press alike.
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REAL GONE GOES OUT: The Fierce And The Dead – Ramsgate Music Hall, Ramsgate, Kent 4/5/2024
It’s been a great day in Ramsgate. The town has been buzzing and the sun has been gloriously bright. It’s felt like the “seaside season” has finally arrived. At the Ramsgate Music Hall, a sell out crowd are in really friendly spirits. They’ve come out to see The Fierce And The Dead – the Northampton post rock/art rock band who took the prog scene by storm with the release of their third album, 2017’s ‘The Euphoric’. That success came with almost a Trojan horse-like approach: for a while, it seemed as if the band were too much of a heavy/stoner rock phenomenon to click with the proggers, but a bit too strange to find a home amongst the Fu Manchu and Kyuss fanbase, but here they were, finally gaining enthusiastic press and a keen live audience.
THE FIERCE AND THE DEAD – News From The Invisible World
With every new album from The Fierce And The Dead, there have been changes to the band’s sound. The now classic ‘Spooky Action’ took the experimentation of their earlier ‘If It Carries On Like This, We’re Moving To Morecambe’ and added extra layers. On tunes like the title cut and the now classic ‘Ark’, the lighter guitar tones from Matt Stevens gave the material a quality that was pleasingly playful. A few years down the line, the band’s breakthrough album ‘The Euphoric’ was heavier in places, but in others, sounded more accessible and tuneful than The Fierce And The Dead had ever been before, without losing too much of their recognisable sound.
The Fierce And The Dead share surprise new live EP for Bandcamp Friday
Things are busy behind the scenes with The Fierce And The Dead. The British post-rock band have had live shows cancelled due to the Covid-19 pandemic, but they’ve taken a lot of time to work on home demos and ideas for album number 4, which they’ve more than hinted will be as different from ‘The Euphoric’ as that album had been from 2013’s ‘Spooky Action’.
Real Gone – A Decade of Deep Cuts
In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]
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