As a band, The Fierce And The Dead have never been shy of evolving. From their noisiest post rock origins, they slowly grew into a melodic juggernaut, mixing heavy grooves and progressive textures on their third album ‘The Euphoric’.
There’s growth and re-invention, and then there’s genre-fluid, which is certainly where the band found themselves during the writing and recording of their fourth LP. Fans got a taste of the “new” Fierce/Dead in May 2022 when the ‘Wonderful’ single appeared on Bandcamp and other streaming services. For the first time, the band shared something song-based with a strong vocal, and for many, that was the biggest change. However, things had also taken an unexpected turn musically with a world of post-punk riffs colliding with the prog-ish experimentation.
Things are busy behind the scenes with The Fierce And The Dead. The British post-rock band have had live shows cancelled due to the Covid-19 pandemic, but they’ve taken a lot of time to work on home demos and ideas for album number 4, which they’ve more than hinted will be as different from ‘The Euphoric’ as that album had been from 2013’s ‘Spooky Action’.
Between a world of cancelled and postponed gigs and time spent in lockdown, 2020 has been a troubled year, but nevertheless, time marches on. Unbelievably, we’ve reached December and our traditional countdown to Christmas has begun.
UK post-rock band The Fierce And The Dead have made some fine recordings over the past few years, but as the fans know, it’s in the live setting they really start making their most impressive noises. Two live recordings sourced from festivals are available already (2017’s ‘Field Recordings’ and 2019’s fantastic ‘Live USA 17’), but on 1st May 2020, the band will complete a live trilogy with a download only release, ‘Show Me Devon: Live At Kozfest’.
Guitarist Matt Stevens calls the recording a record of “…a very special gig.”
In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]