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Tag Archives: post metal

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The Fierce And The Dead unleash new single ‘Golden Thread’

Posted on July 21, 2022 by Real Gone

As a band, The Fierce And The Dead have never been shy of evolving. From their noisiest post rock origins, they slowly grew into a melodic juggernaut, mixing heavy grooves and progressive textures on their third album ‘The Euphoric’.

There’s growth and re-invention, and then there’s genre-fluid, which is certainly where the band found themselves during the writing and recording of their fourth LP.  Fans got a taste of the “new” Fierce/Dead in May 2022 when the ‘Wonderful’ single appeared on Bandcamp and other streaming services. For the first time, the band shared something song-based with a strong vocal, and for many, that was the biggest change. However, things had also taken an unexpected turn musically with a world of post-punk riffs colliding with the prog-ish experimentation.

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Posted in News | Tagged matt stevens, post metal, post rock, stoner, stream, the fierce and the dead

LILIUM SOVA – Tunnel Du Soir

Posted on July 6, 2022 by Real Gone

Throughout their career of making alternative instrumental sounds, Swiss quartet Lilium Sova have never become musically stagnant. With each record, their art rock meets post metal has dug deeply into a world of musical freedoms. Whether working a grinding bass riff and atonal woodwind on a number worthy of Mike Patton’s Ipecac label (2012’s ‘2.00 AM Insomnia’), indulging in a sound that feels like a Mask of Bees demo reworked by Al Jourgensen (2008’s ‘Moose’) or even delving into the murky musical waters of sludge metal tempered by a strange blackgaze sheen (2016’s ‘Ofkaeling (Valley 6/6)’, their world of noise is never less than fascinating.

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Posted in Album & EP Reviews | Tagged avant garde, dark ambient, doom, drone, instrumental, post metal

DAXMA – Unmarked Boxes

Posted on November 18, 2021 by Real Gone

With their 2019 EP ‘Ruins Upon Ruins’, Daxma really put themselves on the map in terms of inventive metal. Presenting just two tracks across a sprawling twenty one minutes, the release weaved a musical tapestry that took a doomy core and dressed it with strong gothic and post metal undertones, allowing Jessica T’s haunting vocal style to really work its dark magic. On the self-penned ‘Minima Moralia’, the band showed a real gift for a sprawling arrangement, and on an unexpected cover of Fleetwood Mac’s ‘Landslide’ – redressed as a gothic post metal tour de force, pulled across ten unmerciful minutes – they demonstrated a sense of fearlessness that seemed almost unparalleled. As far as covers go, it really shouldn’t have worked, but the fact that it did, more than proved that sheer audacity can pay off if a band has the right combination of talent and self belief.

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Posted in Album & EP Reviews | Tagged daxma, doom metal, post metal

AMBASSADOR – Care Vale

Posted on September 17, 2020 by Real Gone

Two years on from their ‘Belly of The Whale’ album, this six track release from Ambassador presents the band in a slower and heavier mood than ever before. Throughout ‘Care Vale’s half-hour playing time, The Baton Rouge based post-rockers tackle a world of slow and intensive riffs, taking their sound further towards the gothic/doom variety, but without completely abandoning their previous love for a few proggy quirks. It’s worth noting that, from the outset, this slight musical shift means there isn’t anything on offer as immediately likeable – or melodic – as ‘Feral As They Were’, or necessarily as atmospheric as ‘Diorama’, but in terms of riffs, extant fans should still find something to enjoy.
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Posted in Album & EP Reviews | Tagged alternative, ambassador, metal, post metal, post rock, prog

Listen: The Bloody Mallard stream second single from ‘Realm’

Posted on January 24, 2020 by Real Gone

Based in London, The Bloody Mallard mixes metal riffs with post rock ideas, while occasional elements of dark psychedelia inform a broad and progressive instrumental sound.

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Posted in News | Tagged experimental, instrumental, new single, post metal, post rock, stream, the bloody mallard

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