In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]
As we head into a new year at Real Gone, we’re committed to our ongoing voyage of musical discovery…and we really hope you’ll join us for the ride. Our inbox is bulging with new promos and we’re ready to share our opinions with you all.
Before we set off, though, here’s a quick look forward. There will be a lot of musicians either coming up through the ranks or making their first important musical statements throughout ’18 and – as always – we’ll do our very best to champion some of the more interesting but, in the meantime, here are our five picks most hotly tipped to either make the leap to bigger things or release favourite tracks. Continue reading →
As always, it’s been an interesting year for music, but unlike a few previous years, there have been no clear winners or stand-outs. There has been a lot of great music, of course…and this year, we’ve found it very hard to pick favourites.
Our top ten albums, as always, has been restricted to things that actually got reviewed at Real Gone and very much represent our broad musical scope. Hopefully, a couple of our choices will align with yours, but more importantly, we hope our top picks will open your ears to something new.
On the first two Worry Dolls releases, Rosie Jones and Zoe Nichol promised great things. On a pair of self-financed EPs, the duo sounded absolutely captivating with their abilities to write narrative driven songs and perform close harmonies. Hard graft on the live circuit saw them share stages with Cara Dillon, Rachel Sermanni and the legendary Joan Armatrading, as well as many others. Their first full length release promised a much deeper voyage into country music and ‘Go Get Gone’ does not disappoint.