In 2018, Real Gone celebrated its ninth birthday. It’s been a long and hard road to this point, but we’re pleased to be celebrating our most successful year online to date. Hundreds of new albums have been heard and a record number of gigs have been attended. Not only has this year been our biggest success…it’s also been our favourite.
Nearing the close of 2018, it’s time to look back and celebrate our favourite events – including our top ten album releases…
Normally, each year has an album that’s a clear stand out. Making that distinction this time around has been somewhat trickier, so we’re awarding a joint “album of the year” to two very different albums. If that seems like a cop-out, we don’t care…there really was only a hair’s breadth between them.
The work of producer/multi-instrumentalist Michel Simons and multi-instrumentalist Adrian Jones, Jet Black Sea was originally conceived as a side project to Jones’s prog rock band Nine Stones Close. A vehicle for experimentation, their debut release ‘The Path of Least Existence’ mixed elements of prog rock, ambient music, electronica and post rock with fantastic results. A follow-up ‘Absorption Lines’ was almost five years in the making. Absorbing more mellow prog rock sounds than before – presumably since Nine Stones Close had, by that time, veered towards a more prog metal sound on their 2016 LP ‘Leaves’ – the album was well received among online prog fans.
As we head into a new year at Real Gone, we’re committed to our ongoing voyage of musical discovery…and we really hope you’ll join us for the ride. Our inbox is bulging with new promos and we’re ready to share our opinions with you all.
Before we set off, though, here’s a quick look forward. There will be a lot of musicians either coming up through the ranks or making their first important musical statements throughout ’18 and – as always – we’ll do our very best to champion some of the more interesting but, in the meantime, here are our five picks most hotly tipped to either make the leap to bigger things or release favourite tracks. Continue reading →
When a musician is both prolific and open to lots of influences, they’ll end up with lots of musical ideas that don’t quite fit their regular outlet. Such is the case for multi-instrumentalist Adrian Jones. Whilst working on the Nine Stones Close album ‘One Eye On The Sunrise’, he and studio engineer/multi-instrumentalist Michel Simons recorded various pieces of music of a more laid-back and ambient nature. Rather more rooted within electronica and the darker worlds of Massive Attack than rock, the musical ideas were eventually released as an album, ‘The Path of Least Existence‘ credited to Jet Black Sea in 2013. With Jones returning to Nine Stones Close almost immediately afterwards and their ‘Leaves‘ album featuring some very dark and anguished material, it seemed like Jet Black Sea was merely a temporary outlet. A brilliant outlet, but not necessarily an ongoing fixture in the 9SC family tree. However, three years after their first Sea voyage, Jones and Simons re-entered the studio.
Over the course of a couple of years, the fourth album from Anglo-Dutch band Nine Stones Close – 2012’s ‘One Eye On The Sunrise’ – built up a cult following. Its combination of extended musical workouts and thoughtful song writing really spoke to sections the prog rock audience. Aside from a rather flat drum sound it had a lot going for it, presenting music that culled lots of influence from the past, but still felt contemporary. Fans eagerly awaited a follow-up, but it was clear they’d have to wait some time. Band leader/guitarist Adrian Jones had embarked upon extra curricular work with Michel Simons (9SC’s engineer) creating more sonically spacious music, the results of which can be heard on the excellent Jet Black Sea debut. Keyboard player Brendan Eyre, too, had moved on, eventually releasing ‘Northlands’, a mellow collection of tunes with Tony Patterson. Perhaps the biggest instigator in delaying the follow-up, though, was the departure of vocalist Mark Atkinson.