In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]
It’s only about twenty past three in the afternoon, but the crowd at the Forum have already experienced superb sets by Mark Morriss and Chris Helme. For so early in the day, the venue had been surprisingly full for the Seahorses and Bluetones frontmen. At this point, it’s less full than it had been, but even the most enthusiastic Britpop fans have to go and eat! It’s a shame that so many have chosen to do so just as Salad are about to appear, but looking at the whole day’s events, Salad are the least traditionally “Britpop” of the day’s acts – only really considered Britpop by virtue of timing. That, and the fact that they’ve always seemed to be one of those “Marmite” bands, so in some ways, the thinner crowd sort of makes sense. Many of those still in the venue have almost certainly come to see Salad specifically and are ready to give their all.
For all Britpop fans, the annual Star Shaped Festival is the most exciting thing on the yearly calendar. Previous events have seen appearances from most of the Britpop greats, including Echobelly, Space, My Life Story and The Bluetones.
It’s a Saturday night nearing the end of March 2018. A crowd has gathered outside the Shepherd’s Bush Empire. The night’s star turn is Jim Bob, one time of Carter The Unstoppable Sex Machine, here to play an acoustic solo set to a sell out crowd. Figures stroll up and down in the cold. A typical Saturday night pre-gig scene, you might think… It’s the norm on these occasions to wander past those with flyers and not make eye contact, but tonight, something is different. A flame haired woman is dishing out glossy pieces of paper and yelling “SALAD IS BACK ON THE MENU!” in a way that’s impossible to merely shrug off.
It may have been snobbery due to Marijne van der Vlugt’s previous career as an MTV VJ, but the critics weren’t always so kind to Salad back in the 90s. Those who liked them, however – whether from a journalistic perspective or merely a fan – genuinely loved them. Between 1993-97, the band released a string of enjoyable EPs and two albums, but it was in the live setting where the band really shone, as anyone who saw them on a couple of Carter USM tours in 1994-95 will attest.