Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we’re pleased to share a piece of retro pop, a great track from an up and coming singer songwriter, a slab of ambient desert rock, and more besides. As always, we hope you find something new to enjoy!
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This trip to the Singles Bar promises a proper mixed bag. We’ve got indie rock, pop punk from one of Cornwall’s finest exports, some well crafted electronica with ambient undercurrents, a hugely radio friendly track from Northern Ireland, and even a guest spot from a genuine legend. And that’s just for starters! As always, we hope you find something new to enjoy…
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Over the past week or two, the amount of submissions for the Singles Bar column has gone through the roof! That’s made it harder than usual to pick the highlights. Regular visitors to the SB will certainly recognise a couple of names this time around as we explore some of the recent offerings from a variety of genres, but That doesn’t mean the selection is predictable. By jumping between power pop, post rock, Irish music, and even something that’s in almost an ambient mood, our choices really highlight some great sounds filling the underground as we head into the summer. As always, we hope you find something new to enjoy!
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It’s approximately 8:45 on a Saturday night in Ramsgate. A crowd are gathered outside of the Music Hall, and in the venue’s lobby area, various people are milling around in a frighteningly compact space. Even before getting to the gig area, there’s a feeling that this is one of the Music Hall’s busiest nights.
Everyone’s out to see The Utopia Strong – a trio made up of Kavus Torabi (Knifeworld/Gong/Cardiacs), Michael York (Current 93) and 80s snooker legend Steve Davis – who’ve just released a new album. ‘Doperider’ has been well received by those occupying the more “cult” corners of the online press, and those who’ve seen the band before know how special the live experience can be, so this is a night that has a lot riding on it even before the musicians take the stage.
An array of inaudible voices greets the listener at the beginning of this EP, almost as if eavesdropping on a field recording of train station announcements sourced from a damaged cassette. With the arrival of a repeated three note keyboard riff lurking beneath a world of ambient sounds – ranging from something that sounds like the rhythmic clatter of trains on tracks, to noises that evoke imagery of workmen shifting huge piles of rubble – it’s clear that this listening experience will be more about creating a mood than enjoying any “traditional” music.