THE PROG COLLECTIVE – Dark Encounters

For this fifth outing from Billy Sherwood’s Prog Collective, the Yes bassist has brought together an impressive array of musicians to bring his fluid all star project’s music to life. In a sidestep from previous releases, however, there are moments throughout ‘Dark Encounters’ that appear somewhat moodier than before. The bulk of the record takes an instrumental route, and a couple of the tunes go much deeper into jazz fusion. That’s not to say that fans of the veteran musicians involved won’t find anything to enjoy, or even something familiar to cling onto – a Sherwood Project will almost always include material that nods in the very definite direction of Yes and World Trade – but at least fifty percent of this record isn’t exactly what most people will be expecting.

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VARIOUS ARTISTS – Abbey Road Reimagined: A Tribute To The Beatles

There are several albums that are widely perceived as genuine classics. Albums which haven’t faded with the passing of time, but instead only seemed to become richer. Sometimes you might feel as if you never need to hear these again due to their over familiarity, and yet, a chance encounter with Pink Floyd’s ‘Dark Side of The Moon’; The Beach Boys’ ‘Pet Sounds’, or a favourite Beatles album only serves to remind you how good they still sound, and remind you of why you loved them in the first place.

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VARIOUS ARTISTS – Round And Round: Progressive Sounds Of 1974

1973 was something of a banner year for progressive rock. That year, Pink Floyd released their billion selling ‘Dark Side of The Moon’; Genesis released a career best with ‘Selling England By The Pound’; a double whammy from Gong – ‘Flying Teapot’ and ‘Angels Egg’ – cemented their place in the psych-prog underground; both King Crimson and Emerson, Lake & Palmer released albums that would go on to become fan favourites, and Mike Oldfield became an instant national treasure with his ‘Tubular Bells’, despite his Piltdown Man scaring the shite out of a generation of small children.

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REAL GONE GOES OUT: THE STEVE HILLAGE BAND – Concorde 2, Brighton, East Sussex 2/4/2023

Picture the scene: it’s a very cold afternoon in Kent, the rain is absolutely lashing down, and a crowd covered in pac-a-macs has assembled in front of the Prog Stage at the first ever Ramblin’ Man Fair. Weird prog/fusion ensemble Knifeworld have already started to create a buzz online and for some hardened proggers, the band’s early set time has been reason enough to leave their hotel rooms before lunch and brave the near apocalyptic weather.

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THE PROG COLLECTIVE – Seeking Peace

Formed in 2012, The Prog Collective purports to be the world’s biggest prog rock supergroup. The idea of “supergroup” suggests musicians taking a permanent role; for this band, the reality is somewhat different. Yes, there are a lot of different musicians involved, but many of the famous faces signed up for the Collective only ever play on one or two tracks each. In that respect, as has previously been pointed out, this is just another vehicle for the multi-talented Billy Sherwood to present material that doesn’t necessarily fit his day job as Yes bassist/arranger. That isn’t necessarily a bad thing, of course – the likelihood of Steve Hillage, Richard Page and Dweezil Zappa ever being invited to a Yes recording session is less than zero, so Sherwood’s extra-curricular project is more than valid.

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