The name Clone might not seem instantly familiar, but this Brooklyn-based post punk act comes with an interesting DNA. Frontman LG Galleon has previously released works with Dead Leaf Echo, Gregg Giufree (not to be confused with Angel legend Gregg Giuffria!) has links with Pilot To Gunner, and the Clone live act includes some extra power courtesy of Namesake’s Paul Liziragga and Alex Cox of The Veldt (the shoegaze legends who finally saw their shelved 1989 debut recording receive enthusiastic press upon its official release in 2024). This musical gathering also attracted the attention of producer Martin Bisi, whose CV includes albums by Sonic Youth, John Zorn, Swans, and…Herbie Hancock.
Tag Archives: post punk
Fall Sound Archive Vol. 11 – The Unutterable
In the early 90s, The Fall hit upon a relatively commercial sound on albums like ‘Extricate’ and ‘The Infotainment Scan’, but as the decade wore on, they found themselves somewhat floundering. Unable to capture a distinctive sound, at least beyond Mark E. Smith’s trademark drawl, their albums became a little hit and miss. 1995’s ‘Cerebral Caustic’ traded in their sharper edged approach for something far more lo-fi; the swiftly delivered ‘Light User Syndrome’ sounded like Fall-by-numbers (although they were great on that tour), and 1997’s ‘Levitate’ abandoned most of the band’s post punk and garage tendencies for extra synths and a barrage of dance rhythms, creating the ultimate opinion-divider. The best bits of 1999’s ‘The Marshall Suite’ reminded everyone that the band were still capable of delivering a few bangers (‘Touch Sensitive’ would go on to become one of The Fall’s most enduring tracks), but by the turn of the millennium, it began to seem like The Fall mightn’t deliver a “classic” album ever again.
SINKR – No Sign Of Light
At the end of 2021, Manchester band SINKR arrived on the rock scene with their debut single. Taking obvious musical cues from Pixies, Therapy? and Bivouac, the two track release wasn’t always big on originality, but they were clearly very good musicians, and the material was strong enough to suggest that, over time, the band’s talents would grow, and listeners who still love the sounds of the early 90s might eventually discover a new favourite band. A follow up album ‘History of Things To Come’ (released in June 2022) brought their growing audience more of the same in places, but between the punky ‘The Cut’, post-emo-ish ‘Factories’ with its huge, lolloping grooves, and the overdriven post-grunge meets melodic punk of ‘If Only’, there was more than enough to suggest SINKR had grown as musicians, even over such a short period of time.
Real Gone Presents: A Boston Round-Up, October 2025
As the Real Gone inbox continues to fill up, Boston continues to be a city that delivers a huge amount of new music every month. This trip back to the US will reacquaint people with a few familiar names: Lovina Falls presents some terrific alt-pop, Tiberius share a moody number that showcases their low key approach really effectively, and scene stalwarts The Dogmatics show their more melodic side on a great single. There are new faces to be discovered too, with a band celebrating a perfect post punk sound, a slice of reggae to remind you of the summer you’ve just left behind, and something dubbed “low rock”, which blends genres in an interesting way. We’re sure this lightning tour with the some of the city’s cult acts will see you coming away with a couple of new favourites!
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THE REAL GONE SINGLES BAR #118
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time out, we welcome back an indie hero with a superb solo venture, celebrate some big, modern pop from a rather prolific artist, take in a couple of metal tracks and even make time for some classic sounding yacht rock. As always, we hope you like what you hear.
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