In the summer of 2026, synth pop act Oui Plastique shared ‘Linger’, a single which straddled a cold mood and a melodic heart, making no secret of a love for early 80s Ultravox. As a preview of an upcoming album, it was hugely effective, presenting a very familiar sound in such a way that any obvious recycling – both from the band’s influences and their own past recordings – felt as if it could still be inspiring.
Much like its predecessor ‘In Japan’, ‘Like To Get To Know You Well’, the second long form visual release from Howard Jones to be released in 1984, spent far too many years stuck in a VHS limbo as far as UK audiences are concerned. It was given a Laserdisc release in Japan, but would be over thirty years later that the show would finally make its hi-def debut in Britain. Eventually brought to the deserving fans via Cherry Red Records’ extensive HoJo reissue programme which has yielded – among other things – huge box sets of ‘Humans Lib’ and ‘Dream Into Action’, and a lavish 5CD set of BBC related recordings, the long overdue reissue goes the extra mile by coupling the original video material with a full CD soundtrack for the very first time.
In the spring of 2025, electronica duo Perpacity returned with an unexpectedly alternative sounding EP. Not only did some of the music from ‘Lille Flamme’ take on a slightly more angular sound than previous Perpacity tracks, but a decision to present the lyrics in Danish made everything a little more obtuse. Not that it was an entirely inaccessable release: at its best, the three numbers still showcased a musical unit who understood the need for a melody, even if those melodies were sometimes a little cold.
Welcome back to the Real Gone Singles Bar. This time around we bring you sounds ranging from the ultimate tribute to 90s alternative, to an Americana infused track bristling with harmonies, to a strange synth based workout that blends spiky rhythms with a sly humour. There’s a number with a terrific bassline, and even an underground act outdoing a legendary power pop band. As always, we hope you find something new to enjoy!
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Candy Riot may well have formed in the 2020s and become a mainstay of the Texas club scene since 2022, but the band’s collective heart and head appears to be living somewhere in the wilds of 1984. Their ‘Nico Loretto’ album from 2024 is absolutely loaded with superb retro pop, and its best songs blend the new wave aesthetic of the skinny tie brigade from the early years of US MTV with synth sounds pulled straight off early Depeche Mode albums, Ultravox’s ‘Vienna’ and Soft Cell’s brilliant – and eternally grubby – ‘Non-Stop Erotic Cabaret’. A combination of really bright sounding arrangements and great, harmonious pop vocals result in the kind of listen that feels nostalgic, even when the material is unfamiliar.