2024 was a great year. Real Gone celebrated its fifteenth anniversary. It was the website’s most successful year to date. We picked up a lot of new supporters and covered a wealth of new music. Our detailed reviews continued to be popular with the readers, and our Singles Bar really caught the attention of those looking for a quicker fix of new music.
It’s been another great year at Real Gone. We’ve reviewed countless albums and EPs. We’ve covered a record number of gigs (with Simple Minds and Deacon Blue being particular standouts), and gained support from a wealth of new labels and PR teams. It’s also been the first full year online for our popular Singles Bar – allowing us to take a look at various individual tracks and submissions – which has provided a massive extra stream of traffic.
It’s been a superb twelve months for music, and it’s time to shine a light on the many talents we feel have helped to make our site interesting. We’ve featured a wealth of new stuff. As usual, rock has provided the backbone of Real Gone’s musical interests, but we’ve really gone all out to try and promote some of the most interesting things from other genres, which has made picking favourites a little harder this year.
In May 2023, Real Gone ran a column highlighting some of the best digital singles that had come our way. We’d always shied away from singles, preferring instead to concentrate on detailed album and EP reviews, but too much good music was falling by the wayside. The column was an experiment, of sorts: it was a departure from what had gone before, but still came with the same enthusiasm. Would people embrace this new feature? Would “quick takes” weaken the Real Gone brand?
With its stomping rhythm, massive glam rock infused guitar chords and rousing vocal, Silveroller’s debut single ‘Hold’ immediately marked out the band as one to watch. There wasn’t anything particularly unique about the track, but it was a near perfect example of great musicians taking an old sound and recycling it with a lot of charm. With that followed by the mellow ‘Come On, Come In’ showcasing the flip side of the Silveroller sound, there was definitely a feeling that their upcoming debut EP might be something rather special.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. Despite January being a quiet time, there’s been very little sign of anything slowing down here. This time around, we bring you electronica based sounds, the return of some industrial heroes, some brilliant and slightly kitschy alt-pop, a couple of massive rockers…and more. Hopefully, that means there’s something here for everyone…and if you find something new to enjoy, as always, please drop by and tell us!
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