It might well be 2023, but in The Crystal Teardrop’s world it’s still 1967! The Midlands based rock band have reached deeply inside themselves and unleashed their inner flower children on their brilliant second single ‘By The River’.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. For this thirteenth batch, we bring you the usual variety and hope you’ll find something to enjoy. Featured in this selection, you’ll find the return of a favourite band, some epic metal sounds, something with a country/roots core, a perfect slice of pop punk, and more besides. This popular feature has opened ears from different fan groups to new sounds, and we expect this week’s bundle to follow suit. Should you find something new that you’ve enjoyed, why not drop in and tell us? We’d love to hear your feedback. Maybe your band has something new that you think we might want to feature! If so, please get in touch.
Picture the scene: it’s a very cold afternoon in Kent, the rain is absolutely lashing down, and a crowd covered in pac-a-macs has assembled in front of the Prog Stage at the first ever Ramblin’ Man Fair. Weird prog/fusion ensemble Knifeworld have already started to create a buzz online and for some hardened proggers, the band’s early set time has been reason enough to leave their hotel rooms before lunch and brave the near apocalyptic weather.
In 2017, Grapefruit Records released ‘Let’s Go Down & Blow Our Minds’, a three disc anthology bringing together psychedelic favourites, rarities and unreleased gems from 1967. The set proved so popular that similarly curated box sets covering 1968 and 1969 swiftly followed. A comprehensive voyage through an interesting landscape, capturing an era where new studio trickery pushed rock and pop music forward apace, between them, this trio of releases comprised an unmissable treat. For those who couldn’t get enough psych and freakbeat, the label even issued a further five discs’ worth of material from the era in the lavish ‘I Think I’m Going Weird’, a release that brought some of the biggest underground gems to public attention since Bam Caruso Records unleashed their ‘Rubble’ series of releases in the early 90s.
Despite the comprehensive amount of material from 1967 filling ‘Let’s Go Down’ and the ‘…Weird’ box set, Grapefruit have uncovered yet more gems from the year with ‘Too Much Sun Will Burn’. You might think at this point that another psych box would feel like overkill – but you’d be wrong. More so than ever before, this set brings a wealth of rare material via a set of tracks that were recorded in 1967, but not actually issued at the time, and a great selection of harder to find 7” sides. Obviously, some of these have crawled out on other comps over the years, but it’s great to have them easily accessible and in one place. There are also a few genuinely unreleased cuts to tempt the hardened collector, making it a release that should please a broad spectrum of psych lovers.
What is “Toytown Pop”? The label, coined by fans and collectors, refers to the more mundane and child-friendly aspects of the psychedelic era and psych pop movements. It is chiefly concerned with everyday life, shops, buses, swings in the park, and has an obsession with being home in time for tea. In terms of lyrical concerns and overall concepts, you’d be hard pressed to find anything more…1967.
For those who aren’t regular visitors down the rabbit holes of cult 60s pop, The Beatles’ ‘Penny Lane’ is a good example of this musical niche with its busy narrative driven by people and casual observations, and to a lesser extent, the optimistic tone and bounce of ‘Good Day Sunshine’ could also fit the remit. Obviously, due to licencing agreements and costs – as usual – you won’t find The Fab Four anywhere on ‘Climb Aboard My Roundabout’, but Grapefruit Records has unearthed a whole world of other treats to ensure that this three disc set is a very comprehensive journey through Toytown, and is never less than interesting.