THE REAL GONE SINGLES BAR #103

This visit to the Singles Bar ends with some of our noisier picks from recent times, taking in a love letter to 90s grunge, a crushing metallic riff with alternative leanings and even a slab of old school thrash, but that’s not to say we’ve overlooked other musical interests. With a disco/electronica infused workout, a quirky track from an up and coming Irish singer-songwriter and some pure pop from a now familiar voice, the usual musical detours that have helped our weekly column retain interest are still very much present. As always, we hope you find something new to enjoy…

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ROISIN McCARNEY – Guess Who

Between 2022 and 2024, Róisín McCarney released several excellent singles. Whether covering other artists in her own image (turning the Spice Girls’ classic ‘Wannabe’ into a swaggering, rock-pop statement that ends up sounding more like something from Sheryl Crow crossed with Shania Twain), or sharing her own voice on newly written songs, the Scottish singer set herself in place as one to watch. Her contribution to DJ Aaron Kennedy’s single ‘All Night’ proved that her voice was also well equipped to handle dance oriented material, and by the time she appeared as a contender on the BBC’s Saturday night TV show ‘The Voice’ – applying her talents to Blondie’s classic ‘Call Me’ – it seemed as if there wasn’t anything that she couldn’t sing with aplomb.

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THE REAL GONE SINGLES BAR #70

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. It’s a proper mixed bag this week, with the return of a multi-million selling singer songwriter, who is contrasted by a sharp edged alternative metal track; something that leans towards country rock, the return of a favourite pop vocalist and more besides…

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Come On, Come In: Big Hits From The Real Gone Singles Bar, Year One

In May 2023, Real Gone ran a column highlighting some of the best digital singles that had come our way. We’d always shied away from singles, preferring instead to concentrate on detailed album and EP reviews, but too much good music was falling by the wayside. The column was an experiment, of sorts: it was a departure from what had gone before, but still came with the same enthusiasm. Would people embrace this new feature? Would “quick takes” weaken the Real Gone brand?

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THE REAL GONE SINGLES BAR #51

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. This time around, the SB includes a few familiar faces: Roisin McCarney returns with some great pop; Scotland’s The Lines share one of their finest tracks to date, and alt-rockers Then Comes Silence deliver one of their most incessant hooks. There are unfamiliar acts here too, as well as the Bar’s usual variety, as we explore some retro pop, a tune from a brand new singer songwriter, and a couple of other treats. As always, we hope you find something interesting within…

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