In May 2023, Real Gone ran a column highlighting some of the best digital singles that had come our way. We’d always shied away from singles, preferring instead to concentrate on detailed album and EP reviews, but too much good music was falling by the wayside. The column was an experiment, of sorts: it was a departure from what had gone before, but still came with the same enthusiasm. Would people embrace this new feature? Would “quick takes” weaken the Real Gone brand?