Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. The submissions keep coming, allowing us a broad selection of styles. This week, we bring you some great adult pop-rock from Norway, a singer songwriter with a superbly retro sound, a little bit of country, the return of some legends of German metal, and more besides…
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They might not be household names, but Autogramm have been building a following on the alternative music underground since 2018. They’ve released discs on the Nevado and Jarama 45 labels, and their blend of indie rock, power pop and 80s synth pop often sounds as nostalgic as it does contemporary.
Tracks like ‘Born Losers’ and ‘Hey Allie’ (from their 2023 LP ‘Music That Humans Can Play’) are perfect demonstrations of how to construct a chorus that sounds like a fabulous 80s throwback, whilst ‘Love Is For Fools’ absolutely nails an early 80s, skinny tied, power pop homage, and their earlier ‘Small Town’ conveys a post punk energy with almost just as much ease. Autogramm are one of those bands that, wherever you choose to drop into their catalogue, you’ll find a huge, retro sounding hook that feels massively uplifting.
My Life Story’s first new studio album in nineteen years, 2019’s ‘World Citizen’, was a great comeback. Although the orchestral elements may not have seemed as prominent as those that drove the band’s earlier work, the album’s best material still demonstrated how Jake Shillingford’s distinctive indie pop still possessed a pleasingly grand heart. With orchestral arrangements recorded remotely in Hungary whilst the “rock band” contingent of MLS worked in the UK, the results could’ve sounded disjointed, but its to the band and producer’s credit that everything came together flawlessly. On reflection, a few of the more obvious vocal filters made some of the material feel a little shiny, but, as a complete work, it held up well over repeated listens following its release, proving that the fans and critics’ early enthusiasm for the album was certainly not without merit. The live shows surrounding the record continued the My Life Story tradition of giving audiences an indelible experience – even without a full orchestra in tow – and then, having gained even more traction, any future plans were cut short by the 2020 global pandemic.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. Despite January being a quiet time, there’s been very little sign of anything slowing down here. This time around, we bring you electronica based sounds, the return of some industrial heroes, some brilliant and slightly kitschy alt-pop, a couple of massive rockers…and more. Hopefully, that means there’s something here for everyone…and if you find something new to enjoy, as always, please drop by and tell us!
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After launching the Real Gone Singles Bar in June 2023, we found ourselves covering an even broader range of music than before. It became a natural home for anything that mightn’t see a follow up album, or music that, perhaps, might not lead to a full review. The popular feature also became an easy way to introduce people to new music, and our inbox became very busy. Naturally, by limiting the feature to eight tracks per week, not everything made the cut. In fairness, not everything deserved to, but we heard a lot of stuff that was too good to not share.