For many years, Marillion fans had to make do with the ‘Recital of The Script’ and ‘Grendel/Web’ VHS tapes for their fix of early Marillion live footage. Thanks to the internet, further footage promoting ‘Script For A Jester’s Tear’ later surfaced, including a brief clip from The Marquee, but this footage from the Danish Roskilde Festival might just be the most exciting yet.
It captures Camel drummer Andy Ward’s brief time occupying the drum stool, making this a vital historical document. Ward automatically gives the performance(s) a little more energy than Mick Pointer was able (though still not quite enough if Steve Rothery’s expressions are anything to go by on occasion), but anything lacking musically is more than made up for by a ridiculously boisterous audience being tackled by Fish in a fearless mood.
Given Andrew Latimer’s intermittent approach to work over the past decade or so, a rare sighting of Camel is always something to rejoice. In September 2018, Camel fans have reason to be very excited when the band will embark on a short run of dates and the live set will include their 1976 masterpiece ‘Moonmadness’ played in full. The full list of dates and other details can be found in the press release below.
Maybe as a reaction to the previous year, though maybe just coincidence, 1974 didn’t have the all round focus of it’s forebears. Whereas 1973 had been a home to various albums that have spanned generations, ’74’s best strengths were in the singles market.
Bowie’s escalating drug habit left him with ideas of an unfinished musical and an album that’s arguably his most unfocused of the decade. ‘Rebel Rebel’, however, remains a great and enduring single cut, brimming with the last vestiges of glam. Lulu did an excellent job of covering ‘The Man Who Sold The World’ and ‘Watch That Man’, filling both sides of an essential 7″, Ace’s ‘How Long’ – while easily dismissed as soft radio filler has stood the test of time and now sounds like a near perfect piece of songcraft, while everyone’s favourite ragamuffin, David Essex, topped the UK chart with a smart and disposable single about making disposable pop music.