What is “Toytown Pop”? The label, coined by fans and collectors, refers to the more mundane and child-friendly aspects of the psychedelic era and psych pop movements. It is chiefly concerned with everyday life, shops, buses, swings in the park, and has an obsession with being home in time for tea. In terms of lyrical concerns and overall concepts, you’d be hard pressed to find anything more…1967.
For those who aren’t regular visitors down the rabbit holes of cult 60s pop, The Beatles’ ‘Penny Lane’ is a good example of this musical niche with its busy narrative driven by people and casual observations, and to a lesser extent, the optimistic tone and bounce of ‘Good Day Sunshine’ could also fit the remit. Obviously, due to licencing agreements and costs – as usual – you won’t find The Fab Four anywhere on ‘Climb Aboard My Roundabout’, but Grapefruit Records has unearthed a whole world of other treats to ensure that this three disc set is a very comprehensive journey through Toytown, and is never less than interesting.
Since the label’s launch in the late noughties, Grapefruit Records has worked tirelessly to bring top quality reissues to fans of cult 60s and 70s sounds. Thanks to their archive digging skills, previously unaffordable vinyl albums by Skip Bifferty and Picadilly Line were no longer an extortionately priced mystery; Jeff Lynne’s early years with The Idle Race were reappraised, and dark psych combo Zior reached the ears of many people for the first time.
For all of their well loved archive releases, it’s a trilogy of psych themed box sets featuring hits, misses and rarities from 1967 (‘Lets Go Down And Blow Our Minds’), 1968 (‘Looking At The Pictures In The Sky’) and 1969 (‘Try A Little Sunshine’) that best advertises the label’s eye and ear for great reissues. With that in mind, it seems only natural that the label would raid the archives of psychedelia’s peak years for their hundredth release, and ‘Think I’m Going Weird’ is Grapefruit’s biggest and most adventurous release to date. With over 120 tracks spread across five discs, a larger format book sharing a wealth of important historical detail and rare photographs (with no obvious overlap from the previous 60s psych sets) this British take on ‘Nuggets’ is something of a jewel in the label’s crown.
For many years, psych/prog band The Syn’s recorded output totalled a couple of rare 7” singles. Although much loved by collectors, these recordings remained elusive throughout the 80s and 90s, all too rarely spotted at record fairs or in second hand record shops. As an early vehicle for Yes men Chris Squire, the historical value of the discs was perhaps greater than their monetary value, but they often seemed shrouded in mystery to those who discovered Yes much later. Thankfully, Umbrello Records came to the rescue in the mid noughties when they reissued The Syn’s four original 7” sides along with other period rarities and other recordings, and even though their ‘Original Syn’ compilation was terribly titled and looked cheaply packaged, it would be an invaluable collection filler for those lucky enough to grab the limited edition release.