Tag Archives: 90s

DINOSAUR JR – The Black Session: Live In Paris 1993

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The early recordings by Dinosaur Jr are among the band’s most critically lauded, but a case could be made for 1993’s ‘Where You Been’ being the band’s finest and most consistent work. The first album to feature bassist Mike Johnson (replacing Sebadoh’s Lou Barlow, following his well publicised falling out with Dinosaur main man J Mascis), its material took on a slightly more commercial edge at times. The word “slightly” is more than apt here, however, since J’s vocal drawl would remain a stumbling block for those not entirely sold on the band’s sound, and a couple of noisier workouts ensured the heart of “older” Dinosaur was never far away. Nevertheless, the album connected with a broader audience than some of the band’s prior works, with ‘Start Choppin’ breaking into the UK top 20, and the album’s promotion including an appearance on the BBC arts programme The Late Show on February 23rd 1993, just two weeks after ‘Where You Been’ hit record shop shelves.

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Fall Sound Archive Vol. 10: Middle Class Revolt

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In some ways, The Fall’s 1994 release, ‘Middle Class Revolt’ has spent most of its life living in the shadow of its immediate predecessor, ‘The Infotainment Scan’. With the help of a rather spirited cover of ‘Lost In Music’, ‘Infotainment’ found its way into the consciousness of the more casual listener and, as a whole, the album showcased a more commercial sounding Fall at somewhere near their best. In retrospect, ‘Middle Class Revolt’ has actually aged just as well, and a few of the record’s deeper cuts provide a really interesting listen.

The 2025 super deluxe release from Cherry Red Records, wisely, takes a tried and tested approach when it comes to re-presenting the album with a wealth of interesting period extras. Mirroring the ‘Infotainment’ box set, the vastly expanded ‘Revolt’ greets the fans as a six disc tome, with the original long player joined by a disc of studio based extras and a generous four disc helping of sounding live material drawn from different sources.

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THE QUIREBOYS – Hey You!: The Parlophone Years 1989-1993

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Somewhere near the beginning of 1990, Tommy Vance broadcast a live show by The Quireboys as part of his Friday Night Rock Show on Radio 1. The live set – recorded at Wembley Arena when the still relatively new band opened for the legendary Aerosmith on their ‘Pump’ tour in 1989 – presented the boys in great shape. Numbers like ‘Misled’ and ‘Man On The Loose’ captured a Faces-obsessed swagger in a way that few bands had managed since 1975; ‘Seven O’Clock’ – already known and loved by Vance’s devoted listeners – and the soon to be released as a single ‘Hey You’ showed the crowd pleasing power Spike and the boys already had from the off, whilst the country strains of ‘Sweet Mary Ann’ suggested the Quireboys had the potential to stretch out if required. Although short, this live show was, and remains, a great document of the band firing on all six.

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THE REAL GONE ADVENT CALENDAR 2024

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It’s that time of year again! …And it seems to come around faster every year.

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THE FALL – Fall Sound Archive Vol. 9: The Infotainment Scan

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By the beginning of the 1990s, The Fall were barely recognisable from the band who’d given the world ‘Live At The Witch Trials’ just over a decade earlier. Mark E. Smith’s fearless approach had steered the band down broader musical avenues, far beyond their punky roots, and the line up of The Fall that delivered the brilliant ‘Extricate’ album in 1990 were a hugely sophisticated musical unit. The flirtations with a Manchester influenced indie sound and a few dance oriented beats on tunes like ‘Telephone Thing’ from that album, and the synth based sounds on tunes like ‘The Mixer’ and ‘Sinister Waltz’ (from the following year’s ‘Shift-Work’) may have lost them a few fans, but regular coverage in the music press and a desire to stay contemporary won The Fall new admirers. By the time of the recording 1993’s ‘The Infotainment Scan’, The Fall’s “90s sound” had really found its feet.

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