MORDRED – Volition EP

Back in the early 90s, Mordred attracted a loyal following with their crossover brand of thrash metal. Their second full length album, 1991’s ‘In This Life’ gained very positive reviews and the single ‘Falling Away’ is still guaranteed to awaken some very nostalgic feelings for anyone who happened to be in their late teens or early twenties at the time of its original release. For reasons that still don’t make entire sense, Mordred never became genuinely massive. Sure, they got all the press and worked hard on a string of support slots on great metal bills, but they never became truly major players. Perhaps their prominent use of scratching and DJ turntables was something that didn’t sit well with the metal purists, or perhaps it was their injection of funk, but that kind of mixing things up didn’t upset thrash fans when Anthrax dabbled with rap – sometimes very badly. Mordred deserved to at least be as big as Anthrax, but it wasn’t to be, and after the release of a third album in 1994, they split.

An unexpected reunion in 2013 gave the world a couple of successful tours and a digital single, ‘The Baroness’, but it didn’t seem like quite enough and as the years passed, any hopes of more new material felt as if they were fading.

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MAGNUS KARLSSON’S FREE FALL – We Are The Night

A prolific musician, Magnus Karlsson has worked with many legends from the hard rock and melodic metal scene. You’ll find his name attached to works by Magnum’s Bob Catley, TNT’s Tony Harnell, Russell Allen, Bobby Kimball and Phenomena. He’s also been a member of Euro metallers Primal Fear. Perhaps most importantly, the Swedish multi-instrumentalist has received great press for his own project Free Fall, designed to showcase his melodic metal prowess behind an impressive roll call of guest vocalists. An enjoyable self-titled release set a high musical benchmark in 2013 with a collection of very European sounding bangers. A follow up, 2015’s ‘Kingdom of Rock‘ (not to be confused with an identically titled project from the legendary Michael Schenker), sometimes showed a lighter side with contributions from Joe Lynn Turner and Harem Scarem man Harry Hess and although a more hit and miss disc, it still provided a decent collection filler for anyone enamoured with the style.

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The Great 80s Project: 1988

With the decade coming towards its end, 1988 was a genuine mixed bag.  Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.

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The Great 80s Project: 1987

After three years of brilliant pop frivolity, 1987 has a huge contrast in mood with albums and singles that seem far more thoughtful and downbeat. U2 turned in a career best with ‘The Joshua Tree’; Pink Floyd made a huge comeback with the moody ‘A Momentary Lapse of Reason’ and from a more alternative perspective, Sisters of Mercy and The Jesus & Mary Chain made huge waves with epic goth sounds.

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