SLAYER – Hell Awaits: 40th Anniversary

Although Slayer would become absolute legends of thrash and their third and fifth albums (‘Reign In Blood’ and ‘Seasons In The Abyss’) would be considered genre classics, the band’s formative years presented a less polished band in many ways. Their debut LP ‘Show No Mercy’ had the speed, but not necessarily the songs or production values. Tracks like ‘Evil Has No Boundaries’ and ‘Die By The Sword’ had a sense of force, but with Tom Araya’s vocal sounding like a man shouting into a bucket and the higher registers of Jeff Hanneman’s guitar cutting through everything at ear bleeding levels, it wouldn’t be until later, via the band’s live shows circa 1991, that the true potential in these songs would become clear. With several years’ distance, other numbers like ‘Fight Till Death’ and ‘Face The Slayer’ just sound a little naive, even if in 1983, Slayer’s speed and aggression was forging a new path for metal.

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POSEYDON – Time Is A River And The Waters Are Red

Formed in 1992 at the tail end of the first great thrash metal boom, it would take Belgium’s Poseydon another six years to release an EP before splitting up rather prematurely. After reforming in 2007 – by which time, the landscape of metal had shifted considerably – the band began to rebuild a following, and eventually released a debut full length album in 2011. That recording, ‘Cold World’ shared more of a death metal infused thrash, but showcased a band who were clearly capable of delivering the goods when it came to a genuine heaviness.

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DECIMATOR – Downfallen EP

Since their formation in 2021, Aussie thrash metal band Decimator have gone through a variety of line-up changes, but this potential instability only seems to have made frontman (and only original member) Lance even more determined to make his band a success. Decimator’s 2025 release ‘Downfallen’ features material that, prior to its release, had been pitched as having “more fire and ferocity” but also “a more refined approach to songwriting”.

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STRAENGE – Filthy Microbes

In the middle of the first pandemic lockdown of 2020, Japanese thrashers Straenge released their second demo, the ‘Thrash Medicine’ EP. Its five tracks demonstrated a brilliant, very technical approach to heaviness, often combining the speed of ‘Seasons In The Abyss’ era Slayer with the anger of early Kreator. On a musical level, the band sounded great. Vocally, things were a different matter: the material featured an ugly growl that fused the guttural edge of death metal with the power of hardcore, which, coupled with an obvious Japanese accent, made all of the lyrics inaudible. Assuming you could approach the material purely on its instrumentalists’ merits, of course, this underground band often sounded very cool.

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