The new single from Mantic Ritual sees the Pittsburgh thrash band tapping into everything you’ve ever loved about the seemingly unsinkable metal sub-genre. ‘Crusader’ mixes Testament-like riffs with the speed of old Exciter tunes, but for that full on authentic feel, it features a brattish vocal that recalls the carefree style of the young James Hetfield circa 1983, complete with the kind of reverb present on the early 80s thrash releases.
On their self titled album from 2020, London’s Cult Burial served up an interesting mix of extreme metal sounds. Tracks like ‘Abyss’ and ‘Chaos’ assaulted the audience with a take on doom metal that injected the slowness with elements of blackened death and thrash, whilst the (relatively speaking) more melodic ‘Forever’ presented an ambitious hybrid of post-hardcore, thrash and black metal which pretty much sounded like no-one else. It seemed to be the kind of album where – assuming you could brace yourself for its onslaught and manage to absorb more than two songs at a time – it was possible to actually pick out different musical flourishes with each listen. Impressive, considering that on first hearing the whole thing seemed like a relentless outpouring of anger. One thing was for certain: their arrival had challenged Allfather and Kurokuma for the crown of “Britain’s Heaviest Band”.
Barely nine months on, the band began to hint at a follow up. It was to be a timely return; the UK had started to make their way out of a pandemic hell and the live music scene had started to gain some tentative traction. Massive riffs were certainly needed, and although their new EP would arrive too late to soundtrack the summer for a Bloodstock Festival crowd, Cult Burial were in time to hammer a new season into the advertised ‘Oblivion’.
Indiana death metal/extreme metal band Death On Fire cover a wide musical ground on the follow up to their 2020 long player ‘Ghost Songs’. The ‘Six Foot Box’ EP only features three tracks, but by taking elements of old school thrash metal, a pinch of black metal coldness and broad strokes of doom, the material almost feels as if it crams in a full album’s worth of ideas into a little under fifteen minutes.
In the summer of 2020, thrash/rap metal/crossover legends made their long overdue return with the ‘Violition’ EP. The band’s first new studio release since 1992, at least two of it’s songs were “classic” Mordred, heavy on the riffs, but even bigger on the grooves.
2020 was a busy year for progressive/melodic death metal act Ewigkeit. Their critically acclaimed 2019 album ‘Disclose’ basically set multi-instrumentalist James Fogarty on a roll of creativity and he filled the following year with a wide array of works. The follow up album ‘Scarscape 2.019’ fused Ewigkeit’s distinctive progressive death traits with a science fiction concept that was far less uptight than Arjen Lucassen’s works, before a follow up EP (‘XXIII’) flipped all expectations by dumping the aggression and indulging more of Fogerty’s classic metal influences on a far more melodic disc. He then closed the year by recording some of his angriest sounds to date – material scheduled for release in January ’21 as the ‘Depopulate’ EP.