Between May and July 2017, Real Gone embarked on an ambitious audio project. A huge library of streaming audio, ‘The Great 70s Project’ became one of the year’s most popular features.
The plan was to delve deep into the decade’s music, but dig much deeper than revisiting the hits. We hoped that by presenting the hits alongside some fabulous album cuts and neglected b-sides, our look at the decade would create new favourites and also encourage listens to long neglected albums.
If 1972 were the year where the 1970s took on its own distinctive image with glam rock flaunting its majesty in a peacock-like fashion, then 1973 was the year the beards fought back. Every up has its flipside and so it goes here. The polar opposite of Bolan’s optimism, 1973’s biggest selling albums included Pink Floyd’s ‘Dark Side of The Moon’ (a lavish concept album about depression and mental stability), The Who’s ‘Quadrophenia’ (a concept album about angst, youth and mental stability) and Mike Oldfield’s ‘Tubular Bells’, arguably the biggest foray into self-indulgent prog rock this side of Yes’ double platter bore-fest ‘Tales of Topographic Oceans’ (also released in 1973).
That’s not so say the great and accessible pop and rock had been swept away, of course. Nor that glam was dead – far from it, in fact. Sweet scored some big hit singles, Bolan told us the ‘Children of the Revolution’ couldn’t be fooled and one time hard rockers Slade escalated in popularity on the back of some great singles.
1972 AD. The year that bored suburban teens attempted to resurrect Dracula, in a much maligned Hammer film that’s actually quite good fun. The year that Bolan’s musical craft was at its most perfect; the year Ziggy Stardust came to Earth and changed Bowie’s fortunes forever.
Welcome to a look back at some of our favourite music from 1971. In some ways, it seems the perfect continuation of 1970, with the hard rock pioneers releasing some of the best albums of the careers.
Looking elsewhere, though, things are perhaps more interesting…
Ryan Roxie has been an important figure on the hard rock/glam rock scene since the mid eighties. He first became a cult figure as a member of Candy, a power pop band he joined just before their demise and whose sole album – ‘Whatever Happened To Fun’ – was given a belated CD release in 2012 (stick with your vinyl though – the “remastered” CD sounds genuinely horrible). As Candy morphed into the underrated Electric Angels in 1990 he remained as guitarist, before forming the cheekily titled Dad’s Porno Mag – a Cheap Trick/Enuff Z’Nuff hybrid with some great tunes – nearer the end of the decade. A huge chunk of his work in the noughties and beyond has been devoted to his own bands Roxie 77 and Casablanca, as well as time spent with the Alice Cooper band. Following the release of Casablanca’s second album ‘Riding a Black Swan’ – a really solid hard rock affair – Roxie resurrected the long-rested Roxie 77 to record a single. The writing sessions were fruitful and what was intended as a single quickly became a six track EP. ‘Ameriswede’ is the result – and it’s a corker.