VARIOUS ARTISTS – Punk Me Up: A Tribute To The Rolling Stones

From Cleopatra Records, the label that gave you ‘Punk Floyd’, a punk tribute to Pink Floyd, comes ‘Punk Me Up: A Punk Tribute To The Rolling Stones’, a release that brings together many of the same bands, and applies a similar no-frills approach to the material in hand. The presence of the same names here strongly suggests that the material was likely recorded at the same sessions for the Floyd tribute and for the fans of some of those acts – Jah Wobble, Fear, Angry Samoans, Skids, et al – their return here will be welcome, since this is another release that potentially offers a couple of interesting collection fillers.

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HAWKESTREL – Chaos Rocks

Another branch of the complex and ever evolving Hawkwind family tree, Hawkestrel is a space rock project masterminded by ex-Hawks man Alan Davey. His vision to create an ever shifting line up to bring his music to life has previously involved other Hawkwind alum Nik Turner, Bridget Wishart, Simon House, Huw Lloyd-Langton, Ginger Baker and the mighty Lemmy. The fact that the ex-Hawkwind and Motorhead bassist managed to appear on the debut album three years after his passing flags up the potential problem with the band’s recordings, in that – much like Cleopatra Records’ other “all star projects” – they’re very much cut ‘n’ paste affairs, and don’t always hang together as well as you might hope. However, when they’re good, they’re very good.

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MARY FAHL – Can’t Get It Out Of My Head

Mary Fahl first came to prominence as a member of October Project in the 1990s, but it was only after moving on and exploring solo ventures that the American vocalist began to reach her full potential. Despite not being the most prolific, her releases have been rich and sometimes quite varied. Clinging on to a folk core, and blending that with an easy listening vocal, Fahl’s best songs have ploughed a very adult MOR furrow, but those paying closer attention will spot a broad range of influences. For example, ‘Annie Roll Down Your Window’ shows an affinity for Indigo Girls, an almost Neil Finn-like pop element drives the folk rock sound of ‘Raging Child’, and much later on, ‘How Much Love’ conveys the dark heart of Tracy Chapman set against the sparseness of Daniel Lanois.

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Listen: The Rolling Stones Live @ Madison Square Garden, 27/11/1969

Much has been written and said about The Rolling Stones’ golden period between 1969 and 1973, but very little beats hearing the band in full flight.  Their 1969 shows at Madison Square Garden were used as partial source material for the legendary ‘Get Yer Ya-Ya’s Out!’ live LP, but over half a century later, the full shows have still not been given an official release.

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THE ROLLING STONES – Steel Wheels Tour: Atlantic City, New Jersey

When The Rolling Stones released ‘Steel Wheels’ at the end of the 80s, they’d spent the better part of a decade coasting off the back of some average albums and a lot of goodwill.  Although when heard many years later the album now sounds like the Stones on autopilot, in 1989 it sounded sharp and vibrant; streets ahead of both 1983’s ‘Undercover’ and 1986’s absolutely turgid ‘Dirty Work’.  The singles ‘Rock & A Hard Place’ and ‘Mixed Emotions’ harked back to solid rockers like ‘Start Me Up’ and ‘Little T&A’ from almost a decade earlier, while tracks like ‘Hold On To Your Hat’ proved the veteran rockers were still more than capable of cutting loose.

A great album deserves a great tour, and in that department, the Stones really didn’t short change their fans either.  The ‘Steel Wheels Tour’ of ’89 – renamed the ‘Urban Jungle Tour’ in 1990 – took the band around the globe and saw them visiting the US shores for the first time since 1981. Fans have already been able to revisit the Steel Wheels tour via a widely circulated show filmed at the Tokyo Dome in 1990, but the earlier show from Atlantic City in December ‘89 outdoes that in almost every respect.

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