Recorded in a day during the summer of 2018, Indonesian Junk’s ‘Darkness Calling’ EP presents the sound of a band who’ve finally matured. They sounded incredibly ragged on their debut from just two years earlier; 2017’s follow up ‘Stars In The Night‘ was sharper in almost every respect but stlll hit and miss, but three of the four tracks on this third release make good on previous glimmers of hope and half-promises – musically, Indonesian Junk finally sound like heirs to the New York Dolls and Dictators legacies.
Over the past couple of years, Rum Bar Records has delivered a truckload of great DIY music. We’ve seen great rock and releases from Watts, Kris Rodgers and K7s (featuring Kurt Baker). We’ve seen an equally impressive soul revue from Shanda & The Howlers.
[Articles/streams of each can be found behind the HTML links]
The hits keep coming… The label now has another free download for you in the shape of the new single from Duck & Cover ahead of the Summer release of their EP.
In 2016, Scandinavian garage rockers Nightmen dropped one of the greatest musical surprises of the year. Exploring various elements of garage rock and proto-punk, ‘Fifteen Minutes of Pain‘ delivered a short and sharp aural assault of a record that was not only loving of the past, but also keen to bring such sounds kicking and screaming into the present. It was also the kind of debut that sounded like the work of a band who might burn themselves out too quickly. For this second release, the band could’ve decided to churn out more of the same and that would’ve been great, but being smart cookies, they’ve avoided that inevitable burnout and adapted their previous sounds to allow for growth. Amongst various garage rock and proto-punk staples, this time around, they also show more of a talent for classic power pop.
Somewhere near the end of 2015, Tom Baker (of Boston band Dirty Truckers) rallied round the troops and formed a side project, Tom Baker and The Snakes. A filthy and sloppy three guitar assault, The Snakes featured another face from the Truckers and the guitarist from Watts (albeit switching to drums!), alongside members of Gymnasium and Family Township. The resultant ‘4 Stars‘ EP flaunted a love of the Stones and The Replacments throughout and band’s shamelessly gritty sound represented the musical equivalent of diesel and dirt.
Sex should never be an issue when it comes to musical abilities. As Vixen’s Share Pedersen once put it many years ago: “[being a good musician] has nothing to do with whether you have a dick – that’s not what you play your instrument with!”, but even so, from The Runaways in the 70s, Girlschool, Femme Fatale and Vixen in the 80s, not to mention countless others throughout the 90s and beyond, the all-female band seems to have (over)excited many a rock fan – and not necessarily for the right reasons.
Since their formation in 2010, Thundermother – five denim clad Swedes armed with ample amplification and an obsession with AC/DC – showed themselves to be truly committed to their chosen style. They quickly attracted a cult audience across Europe and in the lead up to their third full length LP ‘Road Fever’ worked really hard to expand their audiences on the live circuit, a place where their old style rock is (understandably) at its best.