Love it or hate it, Record Store Day has become an important fixture on the music-related calendar. From humble beginnings with a few bits and bobs to entice people into independent record shops, it’s now become a huge business tool, giving major labels an excuse to reissue all kinds of stuff. While it now seems more about a money making venture than to highlight small business, there’s still some cool stuff to be found. Never more so than for the 2020 event, where there are a truckload of artificially created rarities that look like lovely items for the keener fan.
If 1972 were the year where the 1970s took on its own distinctive image with glam rock flaunting its majesty in a peacock-like fashion, then 1973 was the year the beards fought back. Every up has its flipside and so it goes here. The polar opposite of Bolan’s optimism, 1973’s biggest selling albums included Pink Floyd’s ‘Dark Side of The Moon’ (a lavish concept album about depression and mental stability), The Who’s ‘Quadrophenia’ (a concept album about angst, youth and mental stability) and Mike Oldfield’s ‘Tubular Bells’, arguably the biggest foray into self-indulgent prog rock this side of Yes’ double platter bore-fest ‘Tales of Topographic Oceans’ (also released in 1973).
That’s not so say the great and accessible pop and rock had been swept away, of course. Nor that glam was dead – far from it, in fact. Sweet scored some big hit singles, Bolan told us the ‘Children of the Revolution’ couldn’t be fooled and one time hard rockers Slade escalated in popularity on the back of some great singles.