When the Led Zeppelin anthology was released in 2004, fans were given lots of reasons to get excited. Not only was the black and white footage from Denmark ’69 available for the first time, but the double disc set also included a full set from London that same year, alongside highlights of Knebworth 1979 (full show here) and Earls Court 1975. As has been discussed many times, fans would like to see the latter pair of shows released uncut…but it’s never going to happen.
For a band that only existed during an era when filming concerts was both cumbersome and expensive, there is a fair amount of Led Zeppelin footage in the archives. For years, all fans had to enjoy was the 1973 Madison Square Gardens material from the ‘Houses of The Holy’ tour – footage that Jimmy Page famously dislikes.
It felt like a minor miracle when, in 1989, the BBC showed footage of Zep in Denmark promoting their debut album. The small stage, no frills show was a world away from the giant colossus Zep would become just three years later, but was no less thrilling.
Between May and July 2017, Real Gone embarked on an ambitious audio project. A huge library of streaming audio, ‘The Great 70s Project’ became one of the year’s most popular features.
The plan was to delve deep into the decade’s music, but dig much deeper than revisiting the hits. We hoped that by presenting the hits alongside some fabulous album cuts and neglected b-sides, our look at the decade would create new favourites and also encourage listens to long neglected albums.
In January 2018, it was announced that Led Zeppelin’s posthumous live release ‘How The West Was Won’ was to be given a reissue to coincide with the band’s 50th anniversary. Recorded at two US shows in 1972 and then spliced together to give the feeling of experiencing a complete show, it has rarely been cited as a fan favourite. Nevertheless, that’s not stopped it being re-issued on CD and also given a blu-ray and (prohibitively expensive) vinyl release for the first time.
At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart. 1975 very much follows that trend, but pushes some of the focus back to great albums.