Category Archives: Miscellaneous

EDITORIAL COMMENT: Descendents – Hypercaffium Outdatum Offensium

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descendents_miloAt Real Gone, we love the Descendents. We’ve followed the various band members’ careers intensely for decades, through side projects and even through related production work coming from Bill Stevenson’s Blasting Room Studios. We’ve purchased pretty much everything from the Descendents and ALL catalogues and more besides.

In 2016, they announced a return with their first new album in a almost a decade and a half. You’d think we’d be over the moon. After all, we should be thrilled that some of our favourite punk musicians are adding to their already lauded back catalogue, especially after almost giving up hope of any new material…

We’re not. In fact, we’re upset. In fact, we’re utterly offended. In fact, we are so offended we’re BOYCOTTING the new release and we actively urge all punks with any kind of social conscience to think about joining us.

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Prince Rogers Nelson (June 7, 1958 – April 21, 2016)

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There are so many things that could be said about Prince, it’s almost impossible to put anything into words. The man was a firecracker of creativity; one of the most prolific artists the world has ever seen. He was an enigma. He was a man whom, in live performance, never seemed to do the same thing twice. Love Prince, or hate him, he was unique. Here was one of the world’s last true untouchable megastars whom, even in the twilight of his career, never played it safe or by the rules. It made him infuriating; it made him bizarrely entertaining, but above all, it made him so different.

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Love, Loss and The Eternal Soundtrack

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At an unspecific point in 1979, my dad arrived home from work carrying a long playing record. It turned out to be the new Police album.  At this point, ‘Message In a Bottle’ had been all over the radio and I knew I liked this new music. My mum, on the other hand did not have quite the same enthusiasm; she’s a bit put out that this does not have ‘Roxanne’ on it. Presumably, the album – like others – had been purchased at Barnaby’s, a record shop (no longer there) very near my dad’s then place of employment; a giant tin shed in which he worked with dangerous acidic chemicals and little regard for health and safety. That Police album (‘Reggatta De Blanc’) got played a lot. If I think hard, I can still see Dad sitting by his Fidelity stereo system lifting the needle onto the record and playing the title track over and over and I remember thinking how fitting it was that the word emblazoned on the front looked a bit like the word fiddle. That piece of music must have spoken to him:  decades later, he would still attract my attention by calling my name to the tune of that track.

The sight of my dad coming home with new music in this way was not entirely uncommon.

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Big River Blues: Real Gone Meets guitarist Damo Fawsett (Slight Return)

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For most people, the arrival of a new year often means a time of change, of looking forward; a time to embrace new ideas and new projects. This is especially true for Damo Fawsett, a hard-working guitarist who recently parted ways with his band Slam Cartel. He already has various new projects underway. At the beginning of January 2016, he stopped by at Real Gone to tell us all about them…

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DAVID BOWIE (8 January 1947 – 10 January 2016)

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davidbowieFew figures were as influential within popular music as David Bowie. He not only knew how to pen distinctive songs, oft delivered with an even more distinctive vocal style, but he understood more than most that, to survive, constant reinvention was utterly necessary.

Pretty much no-one would have guessed that from David Jones’s first musical steps with R&B and his bands The King Bees and Lower Third, he would soon reinvent himself as a flippant music-hall act on his much overlooked ‘David Bowie’ debut of 1967. There’s even less there to suggest that the glam rock starman Ziggy Stardust’ was lurking around the corner preparing himself for world domination.

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