There is some great news for Cream fans early next year. February 2020 will see the release of ‘Goodbye Tour’, a four disc live anthology bringing together recordings from the legendary trio’s final live dates. The set will include nineteen tracks previously unavailable on CD, including nine from The Royal Albert Hall, previously only available on DVD.
Often irascible and difficult, sometimes just plain rude, Ginger Baker wasn’t always the easiest person to get along with, assuming most accounts are to be believed. As if often the case, with such difficulty came genuine brilliance. Few could deny that Ginger was one of the finest drummers who ever lived.
Jack Bruce is best known to most people as having been the bassist and vocalist with Cream, the sixties supergroup that imploded after just two and a half years. His solo works are often just as rewarding in listening terms and throughout the decade following Cream’s demise, Bruce released a string of albums that not only helped cement his legendary status, but also show how much broader his talents could be beyond the power trio format. 1969’s ‘Songs For A Tailor’ is a fantastic mix of rock, blues and jazz that belongs in any collection; 1970’s ‘Things We Like’ more than demonstrates Bruce’s affinity with harder jazz influences and 1977’s much overlooked ‘How’s Tricks’ offers a fine collection of rock-oriented songs teaming Jack with drummer Simon Phillips and keyboard player Tony Hymas – both important fixtures in Jeff Beck’s band during the following decade.
For most people, the arrival of a new year often means a time of change, of looking forward; a time to embrace new ideas and new projects. This is especially true for Damo Fawsett, a hard-working guitarist who recently parted ways with his band Slam Cartel. He already has various new projects underway. At the beginning of January 2016, he stopped by at Real Gone to tell us all about them…
Starting his career at the age of twelve, Krissy Matthews set out to leave a mark on the world of blues music from a very young age. Like Joe Bonamassa, he possesses a great talent and feel for the genre and his instrument, but unlike Bonamassa, he is far more selective with regard to the speed of which he records and releases albums. Despite only being twenty two at the time of this album’s release, ‘Scenes From a Moving Window’ marks the end of a four year studio silence. It also marks a step up in the bluesman’s fortunes, having secured the legendary Cream lyricist Pete Brown (Piblokto/Moving Ornaments) as co-writer on eleven of the album’s tracks.