Hateful Notebook: The Shame of Descendents’ American Fans (a Hypercaffium update)

descendents-hypercaffiumToday sees the release of the Descendents big “comeback” ‘Hypercaffium Spazzinate’. Due to an unfortunate and very offensive choice of title, the album has been met with some controversy in the UK. Whether the band meant offence or not, as soon as the word spasm becomes sp*z (by any variant or spelling), it’s automatically becomes a slur against disabled people – specifically those with Cerebral Palsy.

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EDITORIAL COMMENT: Descendents – Hypercaffium Outdatum Offensium

descendents_miloAt Real Gone, we love the Descendents. We’ve followed the various band members’ careers intensely for decades, through side projects and even through related production work coming from Bill Stevenson’s Blasting Room Studios. We’ve purchased pretty much everything from the Descendents and ALL catalogues and more besides.

In 2016, they announced a return with their first new album in a almost a decade and a half. You’d think we’d be over the moon. After all, we should be thrilled that some of our favourite punk musicians are adding to their already lauded back catalogue, especially after almost giving up hope of any new material…

We’re not. In fact, we’re upset. In fact, we’re utterly offended. In fact, we are so offended we’re BOYCOTTING the new release and we actively urge all punks with any kind of social conscience to think about joining us.

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REAL GONE GOES OUT: ALL – Islington Academy, London 28/04/14

Live shows in the UK by punk legends Descendents are a rarity and appearances by their sister band ALL even rarer.  With that in mind, this – ALL’s only UK show in 2014 and their first since forever – seemed like a visit from punk rock royalty.  Over the course of almost a quarter-century between 1988 and 2000, the on-again, off-again band recorded some great albums, with 1993’s ‘Breaking Things’ and 1998’s ‘Mass Nerder’ being just as essential in any collection as the Descendents’ seminal ‘Milo Goes To College’, and 1990’s ‘Allroy Saves’ standing as a good example of their more angular, playful and arty styles.  A support slot from UK punk stalwarts Snuff only heightened the idea that this one-off gig shouldn’t be missed.

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