Lavish 8CD box set of Status Quo’s seminal “Status Quo – Live!” album from 1977 due in May

With a career now in their seventh decade, it’s no wonder that Status Quo have become national treasures. Even with some of their 90s output being a far cry from their best, the Rossi/Parfitt commitment to live work helped the band remain a massive draw for gig goers, and any musical missteps are easy to forgive when taking into consideration that Quo’s run of albums released between 1967-77 is almost flawless.

On 16th May, lovers of classic Quo are in for a real treat. The essential 1977 release ‘Status Quo – Live!’ will be reissued as a lavish 8CD box set. Obviously, this isn’t the first time that the album has been given the box set treatment: in 2014, a 4CD version coupled the original album with the previous Japanese-only release ‘Tokyo Quo’ and a decent quality bootleg recording from the Australian leg of the same tour.

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STATUS QUO – Driving To Glory

During the first decade of what was to become a very long career, Status Quo barely put a foot wrong. Between the release of 1968’s ‘Picturesque Matchstickable Messages’ and 1972’s ‘Piledriver’, the band slowly transitioned from being an “of their time” psych act, into a rock band experimenting with garage and blues based sounds, eventually hitting upon the heads down, no nonsense boogie rock sound that would become their forte. Between 1973’s ‘Hello’ and 1977’s ‘Rockin’ All Over The World’, that sound would see the Quo shifting millions of albums and eventually becoming known the world over. The following decade saw line-up changes and a concession to 80s sounds diluting the band’s power – and, ultimately the quality of their output – but fans were still guaranteed some enjoyable (sometimes even excellent) tunes along the way.

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VARIOUS ARTISTS – Think I’m Going Weird: Original Artifacts From The British Psychedelic Scene 1966-1968

Since the label’s launch in the late noughties, Grapefruit Records has worked tirelessly to bring top quality reissues to fans of cult 60s and 70s sounds. Thanks to their archive digging skills, previously unaffordable vinyl albums by Skip Bifferty and Picadilly Line were no longer an extortionately priced mystery; Jeff Lynne’s early years with The Idle Race were reappraised, and dark psych combo Zior reached the ears of many people for the first time.

For all of their well loved archive releases, it’s a trilogy of psych themed box sets featuring hits, misses and rarities from 1967 (‘Lets Go Down And Blow Our Minds’), 1968 (‘Looking At The Pictures In The Sky’) and 1969 (‘Try A Little Sunshine’) that best advertises the label’s eye and ear for great reissues. With that in mind, it seems only natural that the label would raid the archives of psychedelia’s peak years for their hundredth release, and ‘Think I’m Going Weird’ is Grapefruit’s biggest and most adventurous release to date. With over 120 tracks spread across five discs, a larger format book sharing a wealth of important historical detail and rare photographs (with no obvious overlap from the previous 60s psych sets) this British take on ‘Nuggets’ is something of a jewel in the label’s crown.

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GRAHAM BONNET – No Bad Habits

Unforeseen sales in Australia for his 1977 LP (helped no end by a number one single) proved enough for the independent Ring-O Records to keep vocalist Graham Bonnet on their books. Eager to capitalise on this success, a follow up was recorded and released relatively quickly. Although ‘Graham Bonnet’ had been a largely patchy affair, compared to 1978’s ‘No Bad Habits’, it was a potential masterpiece.

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VARIOUS ARTISTS – Peephole In My Brain: The British Progressive Pop Sounds of 1971

The box sets released by Grapefruit Records covering the second half of the 60s managed to bring together a lot of interesting material under the loose umbrella of psychedelia. The four box sets – featuring music from 1966-69 respectively – also took in bits of pop, freakbeat and folk, but with so many phased guitars, recurring themes of teatime and other whimsy dictated by a general soft drugs haze, they often felt like coherent packages. Once the yearly exploriations move the into the 70s, there isn’t quite such a focus; with the first wave of psychedelia in its death throes, as well the rise of hard rock and singer-songwriters, the early 70s paint from much broader musical palate.

A stylistic indecision hasn’t stopped Grapefruit from digging deep and turning up loads of interesting things to fill ‘Peephole In My Brain: The British Progressive Pop sounds of 1971’, of course, and its three discs are brimming with obscurities, flop singles, half remembered gems and deep album cuts. With the vaults of Harvest, Vertigo, Ember and various other labels truly raided, it’s a set that’s quite quirky in its own way – and a reminder that there was far more going on at the time than the Black Sabbath, Deep Purple, Yes and Tull-loving rock historians would have you believe.

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