Tag Archives: synth

SHANNON CURTIS – 80s Kids

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On 2024’s ‘Good To Me’, Shannon Curtis delivered ten slabs of synth pop that sounded so authentically 80s, you might even believe a few of the songs were rarities from the era. With the album released at a time where a lot of musicians appeared to be obsessed with the 90s, this even more retro sound hit like a musical ray of sunshine. At the album’s best, the bright sound – heavily reliant on unnatural sounding keys and a strong vocal – showcased some great choruses. The multi-voiced ‘Serenity’ could’ve been culled from an old teen film soundtrack; ‘Sweat & Butterflies’ worked a pulsing heart that had clearly been inspired by OMD’s ‘If You Leave’ and a couple of Fiction Factory numbers, and the title cut showcased a great contrast between big beats and a more sedate voice, ending the record in a slightly more thoughtful manner. Even with a couple of tunes adding slightly more of a light goth/dreampop reverb, this was a record that offered a lot of entertainment for the 80s obsessed listener.

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THE REAL GONE SINGLES BAR #137

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a genuinely sharp sounding piece of post hardcore from Brighton, a well arranged slab of stoner metal, the overdue return of a goth influenced act, a trio of very different singer songwriters…and more. As always, we hope you find something new to enjoy.

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PARIS MUSIC CORP. – Wetlands / Dark Laguna

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In 2022, electronic musician John Andrew Paris – aka Paris Music Corp. – released his self-titled album. Marking a return to recording after a five year hiatus, the fourteen track record was pleasingly varied, taking in beat-heavy, almost danceable works (‘Whiteout’) to artier sounding tracks adorned with great bass sounds (the Mick Karn influenced ‘Light Speed’ and the vaguely shoegaze like ‘Witch Harvest’), to pure ambient fare (‘New Blue Norther’, ‘The Original Orb’). It may have drawn from a lot of different sources, but it was to the musician’s credit that it never lacked direction. By then presenting his audience with a twelve minute epic in 2023 (the soundtrack for ‘Spectral Wind’), it was clear that Paris had so many more ideas up his sleeve and so much more to give.

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THE REAL GONE SINGLES BAR #135 (FESTIVE EDITION)

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For this visit to the Singles Bar, everything has taken on a distinctly festive theme. We bring you eight Xmas recordings from different artists and genres – ranging from the well known to the genuinely cult – which hopefully will enrich your holiday time playlists for years to come. A much loved rock band offer a new cover tune; there’s a brilliantly ugly electronica themed Elvis tribute, and ‘Santa Baby’ as you’ve probably never heard it before. There’s also a touch of Americana, some great pop, and a nod to the mighty Slade along the way. We hope there’s something here for everyone who loves Christmas music… Pour yourself another eggnog and dive in!

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KPT – Tramp EP

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In May 2025, electronica musician KPT shared the ‘Claw’ EP. Taking a massive sidestep from some of KPT’s more “pulse” oriented sounds and tracks with a distinct melody, the EP’s trio of tracks ventured into bleaker territory. With one number presenting six minutes of industrial noise, one blending drone with a collection of found sounds and field recordings, and one splicing dark ambient elements with unforgiving, machine-like industrial sounds (taking industrial right back to its origins) it certainly wasn’t a lightweight listen.

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