KILL THE SILENCE – Resolve

In terms of blending metal subgenres, Kill The Silence’s ‘The Final Word’ makes a bold statement. The track’s very heavy intro fuses the sheer force of groove metal with the complexity of prog, resulting in something that appears to pull in different directions, yet sounds incredibly tight. It takes all of a few seconds for guitarists Sam Rickerby and Daniel Ridding to make an impact, and the huge and dirty tones recall great work by Chimp Spanner, as well as the slightly more commercial sounding later works by Lamb of God, before introducing a classic sounding hardcore vocal; the kind that would normally sit with music closer to a hardcore punk sound. By the time the audience gets to grips with that, Kill The Silence switch gears to demonstrate more of a melodic streak, taking things from a techy/post-hardcore stance further into a world of sophisticated emo tones, allowing plenty of space for a genuinely powerful vocal from Jason Walsh. The way he uses his voice to soar, even when the rest of the band are tackling some rather sharp edges, sets up a superb contrast, and it’s that contrast that makes ‘The Final Word’ not just interesting, but genuinely thrilling.

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ABRAMS – Loon

Combining a stoner rock swagger and a post hardcore crunch, ‘Glass House’ by Abrams isn’t particularly shy when it comes to sharing a huge riff. Throughout the track, the band attack with a real intent, and although there are moments where a superb drum sound feels like the dominant force, a really crunchy Helmet influenced guitar sound brings a huge amount of weight to an impressive, heavy melody. The bulk of this performance delights in sharing a great groove, but even when Abrams slow things enough to drop into a classic hardcore breakdown, or unexpectedly break into a thrashy riff to finish, the tones and attitude shared are absolutely first rate.

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Watch: Kill The Silence share new video for ‘The Final Word’

In terms of blending metal subgenres, Kill The Silence’s current single ‘The Final Word’ makes a bold statement. The track’s very heavy intro fuses the sheer force of groove metal with the complexity of prog, resulting in something that appears to pull in different directions, yet sounds incredibly tight.

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THE REAL GONE SINGLES BAR #137

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a genuinely sharp sounding piece of post hardcore from Brighton, a well arranged slab of stoner metal, the overdue return of a goth influenced act, a trio of very different singer songwriters…and more. As always, we hope you find something new to enjoy.

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Listen: Chasing Dolls share new single ‘Blood Moon’

On their previous single ‘Cobweb’, Bristol based rock band Chasing Dolls managed to blend indie guitar lines with a post hardcore aggressiveness resulting in something that, although rather angular, served up an interesting arrangement. The track came with a very abrasive vocal that mightn’t be to everyone’s tastes, but it certainly marked out the band as one to keep an ear for in future.

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