LORD ELEPHANT – Ultra Soul

Occasionally, a band name is all you need to gauge what something probably sounds like. Truckfighters and Acid Mammoth are two great examples. Here’s another: Lord Elephant create an absolutely huge sound throughout their second album ‘Ultra Soul’. The record’s seven instrumental numbers often find the Italian band in a weighty frame of mind, bringing a world of riffs that blend doom, stoner metal and deep psych in a way that invites favourable comparisons with Earthless and Karma To Burn, as well as drawing influence from the instrumental elements of Down and Eyehategod – only making those influences feel more intense.

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Nick Oliveri to release ‘N.O. Hits At All Volume 10’ in April

Nick Oliveri is one of those musicians who seems to be constantly busy. Although best known for his stints as a member of Queens of the Stone Age and Kyuss, he’s also recorded an extensive discography with his own Mondo Generator, worked with Blag Dahlia, Turbonegro, Eagles of Death Metal, Melissa Auf Der Maur and various others, ensuring a near legendary status.

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THE REAL GONE SINGLES BAR #140

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have been submitted over the previous few weeks. This time around, there’s some perfect dream pop/indie sounds, a huge stoner friendly piece of deep psych with a heavy edge, some AOR, a superb track with a jazz influenced vocal…and more besides. As always, we hope you find something new to enjoy!

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Watch: SoftSun share new video clip for ‘Anywhere But Here’

During the last quarter of 2025, desert rock duo ‘SoftSun’ released their second album ‘Eternal Sunrise’. Since their debut LP was a near flawless slice of deep psych infused desert/stoner, there was a great deal riding on ‘Eternal Sunrise’ in terms of overall quality, but it’s fair to say that it was everything fans of the debut could’ve hoped for.

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Listen: Oreyeon share new single ‘I’m Your Mistake’

It’s not been long since Oreyeon released their ‘Echoes of Old Nightmares’ single, which re-introduced the Italian doom band to many in classic style. Across that track’s four and a half minutes, the musicians cranked their way through a selection of fuzzy riffs that sometimes sounded like Clutch in a really bad mood, often bringing a melodic charm to their weighty sound. It would be more than fair to suggest the track would appeal to those who love all manner of stoner rock as well as classic doom.

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