Tag Archives: heavy psych sounds

THE REAL GONE SINGLES BAR #150

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With a number that blends a grungy heart with a more contemporary melodic hook, a throwback to post-grunge fused with Euro melodic metal, and a perfect slice of post punk, this visit to the Singles Bar is rather guitar based. That said, with a French singer songwriter applying a light touch, an absolutely fierce alt-pop number and a danceable piece of deep psych, it isn’t without variety. Then, in terms of massive curveballs, there’s even a well played salsa jam… As we wave goodbye to the first quarter of 2026, the singles keep coming…and as always, we hope you find something new to enjoy!

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WEEDPECKER – V

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This fifth album from Polish deep psych merchants Weedpecker had a long gestation period. The material started taking shape in 2023, and the original demos had all been recorded by the end of that year. With so much doom, sludge and deep psych taking on a raw, live in the studio feel, you might wonder how different the material sounded back then, since ‘V’ didn’t actually reach the public until the beginning of 2026, but no matter what changes were made in the interim, the record sounds superb.

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THE REAL GONE SINGLES BAR #143

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This week’s visit to the Singles Bar is big on variety. We’ve got retro rock, some very 90s inspired dream pop gold, a great track from an up and coming Irish singer songwriter, a superb acoustic track and more besides. With very little fitting a “household name” at the time of release, this is testament to how much great new music there is being released at the beginning of 2026. As always, we hope you find something new to enjoy!

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OREYEON – The Grotesque Within

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On their 2019 LP, ‘Ode To Oblivion’, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.

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LORD ELEPHANT – Ultra Soul

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Occasionally, a band name is all you need to gauge what something probably sounds like. Truckfighters and Acid Mammoth are two great examples. Here’s another: Lord Elephant create an absolutely huge sound throughout their second album ‘Ultra Soul’. The record’s seven instrumental numbers often find the Italian band in a weighty frame of mind, bringing a world of riffs that blend doom, stoner metal and deep psych in a way that invites favourable comparisons with Earthless and Karma To Burn, as well as drawing influence from the instrumental elements of Down and Eyehategod – only making those influences feel more intense.

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