L.A. GUNS – Another Xmas In Hell EP

In the US, Christmas music is big business. You can find a festive album to suit pretty much every one of your holiday moods. There are countless Christmas albums from country artists; you can play it traditionally with the easy listening approach with She & Him’s retro pop or Lowen & Navarro’s world of log fires and woolly jumpers. You can opt for retro rock ‘n’ roll and a swingin’ yuletide with the brilliant Brian Setzer, or even funky festivities with James Brown. In a world where even Bad Religion – a punk band fronted by one of the world’s most outspoken athiest academics – have a Christmas album, the gloves are off. We live in a post-irony world.

In December 2019, L.A. Guns’ ‘Another Xmas In Hell’ appeared on streaming services with little to no fanfare. A five track release, it finds the US hard rockers putting their own slant on a couple of very familiar festive favourites and a couple of lesser known gems.

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STATE COWS – Challenges

State Cows have been making excellent westcoast/yacht rock music since 2010. Always unashamed in their retro-ness, the band have delighted fans across the world with various self-penned homages to Toto, Steely Dan and late 70s Doobie Brothers. There’s nothing obviously original about the Cows’ choice of style, but there’s no denying they do it better than most…and even after so many years, the fact that this most American of sounds was perfected somewhere in Sweden is a fact that still amazes.

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LIsten: Dream poppers Cathedral Bells release new single ‘Ephemeral’

In October 2019, US dream pop duo Cathedral Bells gave fans a taste of their upcoming album when they released a new single ‘Ephemeral’. The track gave everyone everything they’d hoped for with a hazy throwback to 90s dreampop and shoegaze, all the while still showcasing the band’s gift for a vaguely gothy melody.

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HI/JACK – Rank And File EP

Hi/Jack’s 2016 album ‘No Cover’ is one of those records that lacks something. Across its forty minutes, the duo pound through eleven tracks that blend a garage punk aesthetic with furious metal riffs. They certainly couldn’t be accused of approaching their work in a half-arsed way, but it shows why the guitar/drums/no bass set up is perfect for a purer garage rock sound but not much else. When applied to music that should be given the full bells and whistles approach – as with the semi-metallic influences that infuse most of Max Liam’s guitar playing – the lo-fi approach just sounds shoddy.

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NECRONAUTICAL – Apotheosis

In terms of twenty first century black metal, few bands create intense and dark atmospheres better than the UK’s Necronautical. Far more sophisticated than a pneumatic din with some casual church burning thrown in, their 2019 album ‘Apotheosis’ features seven tracks that show how – when well played – such extreme sounds can be carry a lot of weight in the progressive stakes. This album, although largely created from classic black metal roots, also takes in intensive folk metal and battle metal influences, to create something that ranks among the year’s most interesting extreme metal discs.

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