When billing as power pop punk, the new single from Toronto’s Talk Show Host might seem like an oxymoron, but in many ways, it’s a fairly accurate description. ‘Crisis Actors’ features the kind of buoyant vocals – and vocal filtering – you’ve come to expect from so much twenty first century pop punk, but musically, the track comes with much bigger boots.
Canadian metal band Zero Fire’s second EP ‘Second Sun’ was packed with great riffs. By creating a brand of melodic metalcore that also included nods to groove metal and contrasted its heaviness with use of clean vocals, it managed to be very broad in appeal. A year on, ‘The Attic Sessions’ offers fans and newcomers a couple of live recordings that demonstrate both extremes of the band’s sound. While a new studio recording would have been preferable – and a full length album better still – this EP has the benefit of giving a premier to a pair of previously unrecorded tracks.
Metal has gone through various different fashions over the decades. No longer just typified by the big vocals and studs ‘n’ leather of the New Wave of British Heavy Metal, it has taken in different influences and spawned several subgenres, with each giving a very different listening experience. Very little of this seems to have been noticed by Canada’s Gatekeeper, whose debut album ‘East of Sun’ relied heavily on some very 80s riffs and the lyrical themes of an old Helloween LP.
Offering a couple of new recordings alongside an acoustic re-working of an old favourite and an obscure cover tune, their 2019 EP ‘Grey Maiden’ is similarly rooted within the 80s and although incredibly old fashioned in style, this four tracker is actually great at what it does. For those whom enjoyed the previous LP, it’ll be a more than welcome stop-gap.
For the purposes of this studio recording, Montreal’s Pink Cocoon isn’t a band, but the work of multi-instrumentalist Zolla Marc. He’s a man who cites a fairly diverse selection of rock and blues acts among his influences, ranging from the predictable Black Sabbath and Electric Wizard, to the more unexpected – quite often, metal based performers won’t take time out to praise Robin Trower, especially when praise for Hendrix seems likely to get more attention. He also name-checks The Distillers and The Pretty Reckless among bands who’ve helped shape his playing and sound. For most stoner practitioners, the musical sphere starts with the first four Sabbath albums, moves into Hawkwind and then goes back to Sabbath’s ‘Never Say Die’…y’know, for variety, so while you’d be hard pushed to hear the influence from Brodie Dall or Taylor Momsen on this debut release, it’s still thrilling to know Zolla isn’t stuck in a musical rut.
Having previously regaled the world with tales of TV Zombies, R. Stevie Moore and Pizza on their ‘Television Echo’ LP in 2015, Canada’s Outtacontroller begin 2018 on a similarly energised and fuzzed out wave with four more more songs of trashy debauchery.
Although comprised of recordings made at a brand new session, thematically speaking, there’s common ground covered on their ‘No Echo’ EP, since ‘Prime Time’ echoes their love of TV and ‘Something Wild’ hints at a band who believe firmly in the old Spinal Tap maxim “have a good time, all the time”. There may only be ten minutes’ worth of new music here, but this disc represents quality over quantity.