Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time out, we welcome back an indie hero with a superb solo venture, celebrate some big, modern pop from a rather prolific artist, take in a couple of metal tracks and even make time for some classic sounding yacht rock. As always, we hope you like what you hear.
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Every visit to the Real Gone Singles Bar uncovers new treats, but as we start to pull towards the end of a UK summer, this selection shares a couple of really special tracks. A new offering from a UK born/Dubai based soul singer could be one of the best things you’ll hear before the autumnal weather sets in; a couple of legends provide the basis for a near perfect reggae banger, and an underground electronica musician really stretches out on his current single. We’ve also got a piece of fairly traditional sounding country, a loving tribute to a classic grunge sound, and a huge alternative rock tune from a band making their debut. As always, we hope you find something to enjoy.
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Singer songwriter Conn Thornton has had a busy few years. Since transitioning from a classical background to a pop career during the lockdown period, they’ve released a string of singles and three full length albums, gaining critical praise.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time out, we’ve got something folk based with a strong 60s vibe, some well crafted pop with strong harmonies, and some dark alt-country. There’s also something with a twist of alternate pop, and a 90s influenced rocker that makes the best of a classic sounding riff. As usual, we hope the variety offers something of interest for many of our visitors and that you find something new to enjoy.
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Brooklyn’s Avery Friedman only began playing live shows in 2024, and didn’t spend years honing her sound before the recording and release of her 2025 debut ‘New Thing’, so the album’s songs still have an element of freshness and occasional naivete. You couldn’t call the material raw, though, or even suggest its potential has been sold short in any way. The best of the record’s eight songs represent brilliantly crafted indie pop, often sharing a sound that’s much older than Friedman’s years, but everything is presented in a hugely confident manner.