This visit to the Singles Bar shares several interesting tracks, showcasing the variety of sounds that, arguably, are really helping the music scene to feel particularly interesting, at the mid point of 2026, amid a UK heatwave. We’ve got LGBTQ+ themed pop-rock, some great synth pop, an inspired metal cover, some absolutely superb country pop/roots rock…and more besides. As always, we hope you find something new to enjoy!
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We’ve reached the middle of 2026 already, and for the first half of the year, submissions to our Singles Bar have been coming in fast. Naturally, there hasn’t been the time to highlight everything we’ve enjoyed from week to week, and a lot of great tracks have not made the cut. Passing these by would be an absolute tragedy, so, as is traditional at the end of June, we’ve pulled some of the “best of the rest” together for our SB Summer Special! These were picked from a staggering 230 track selection, but we feel they best capture the Singles Bar spirit. We hope you can spare the time to explore this selection of tunes, and as always, hope you find something new to enjoy. Remember: good music does not have a sell-by date!
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Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around we have the return of a superb instrumental act, some fine retro sounding darkwave, a nod to shoegaze, an interesting offering from a low-key singer songwriter…and more. As always, we hope you find something new to enjoy!
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‘Le Dauphin’, the 2026 release from Chicago based songwriter MV Wells, feels like a record out of time. It’s richly layered songs draw from adult pop, 70s AM radio influences, the more accessible end of the Harry Nilsson catalogue, early solo Lennon, and even more contemporary fare in the vein of The Flaming Lips (at least when they’re not trying too hard to be quirky, or pitch the latest idea in their string of novelties). Its nine songs feel familiar, yet repeated listens uncover material that is ultimately far more interesting than mere pop throwbacks, and at it’s best, it’s an album that proves that good pop – despite going through many changes over the decades – will ultimately find its way back to the golden age of the late 60s and early 70s.
Back in 2007, singer songwriter Eugene McGuinness released ‘The Early Learnings of…’, an album that explored moody retro pop with a spooky undertone (‘Vampire Casino’), numbers centred around a hard strummed guitar and slightly distorted vocal (‘A Child Lost In Tesco’, ‘Monsters Under The Bed’), and even lo-fi works that sounded like the ghost of Brian Wilson colouring Tindersticks balladry (‘Madeleine’). His scattershot approach resulted in an album that presented a very interesting voice in the world of adult pop.