Jeremy Porter’s 2016 EP ‘Barrel of Tears’ was a three track gem. Its two original cuts shared some great guitar driven rock pop that harked back to the slightly rootsier end of the 90s, and the big hooks showed a huge love for material from the Soul Asylum and Kevin Salem catalogues. Best of all though, the release shared a superb cover of ‘Blue Letter’, a tune best remembered in its Fleetwood Mac incarnation from ’75, given slightly more of a country rock twang, and showing off Jeremy and The Tuco’s gifts for tight melodies with ease.
Tag Archives: power pop
THE REAL GONE SINGLES BAR: A NEW YEAR’S EVE LOCK IN 2023
After launching the Real Gone Singles Bar in June 2023, we found ourselves covering an even broader range of music than before. It became a natural home for anything that mightn’t see a follow up album, or music that, perhaps, might not lead to a full review. The popular feature also became an easy way to introduce people to new music, and our inbox became very busy. Naturally, by limiting the feature to eight tracks per week, not everything made the cut. In fairness, not everything deserved to, but we heard a lot of stuff that was too good to not share.
JOHN DUNBAR – What A Difference Indifference Makes
John Dunbar is a busy man. Between the beginning of 2020 and the end of 2023, he released two solo albums filled with retro pop, another two as a member of The John Sally Ride – a similar sounding pop outfit fond of humorous song titles (‘See Emily Work’, ‘Sheena Is A Prog Rocker’, ‘I Won’t Let Failure Go To My Head’) – and two more as Elvis Eno, exploring more experimental lo-fi work. Despite six albums and a bunch of one off singles appearing within a four year period, chances are, his name still isn’t familiar to you.
The Real Gone End of Year Round-Up 2023
We seem to say it every December, but this year has gone so quickly. We’ve fit a lot into twelve months, of course. Over the last twelve months, Real Gone has picked up a truckload of new followers and regular visitors; we’ve discovered new bands, reconnected with a couple of familiar faces, and given more column inches to old favourites.
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MARC VALENTINE – Skeleton Key / Will You Still Love Me Tomorrow?
Marc Valentine’s ‘Futura Obscura’ album, released during the death throes of 2022, tapped into a whole world of old fashioned power pop sounds. Its wall of guitars drew heavily from a world of early 80s heroes, but also from early Weezer, and Valentine’s hooky approach to songwriting ensured that a selection of huge choruses sounded great, whatever the era and however much his core sound relied on a throwback quality. His 2023 single ‘Jinx of Finchley Road’ went a step further in the infectious stakes by adding a world of tinkly keys to a marching beat, instantly shifting his retro pop from Weezer-world into a place where the ghosts of Jellyfish loomed with a largeness that was impossible to ignore. If Valentine hadn’t previously been on the list of power pop performers to look out for, this was a single that would certainly get him more of the attention he deserved.