Maybe as a reaction to the previous year, though maybe just coincidence, 1974 didn’t have the all round focus of it’s forebears.  Whereas 1973 had been a home to various albums that have spanned generations, ’74’s best strengths were in the singles market.

Bowie’s escalating drug habit left him with ideas of an unfinished musical and an album that’s arguably his most unfocused of the decade.  ‘Rebel Rebel’, however, remains a great and enduring single cut, brimming with the last vestiges of glam.  Lulu did an excellent job of covering ‘The Man Who Sold The World’ and ‘Watch That Man’, filling both sides of an essential 7″, Ace’s ‘How Long’ – while easily dismissed as soft radio filler has stood the test of time and now sounds like a near perfect piece of songcraft, while everyone’s favourite ragamuffin, David Essex, topped the UK chart with a smart and disposable single about making disposable pop music.

Continue reading →