MAGNUS KARLSSON’S FREE FALL – We Are The Night

A prolific musician, Magnus Karlsson has worked with many legends from the hard rock and melodic metal scene. You’ll find his name attached to works by Magnum’s Bob Catley, TNT’s Tony Harnell, Russell Allen, Bobby Kimball and Phenomena. He’s also been a member of Euro metallers Primal Fear. Perhaps most importantly, the Swedish multi-instrumentalist has received great press for his own project Free Fall, designed to showcase his melodic metal prowess behind an impressive roll call of guest vocalists. An enjoyable self-titled release set a high musical benchmark in 2013 with a collection of very European sounding bangers. A follow up, 2015’s ‘Kingdom of Rock‘ (not to be confused with an identically titled project from the legendary Michael Schenker), sometimes showed a lighter side with contributions from Joe Lynn Turner and Harem Scarem man Harry Hess and although a more hit and miss disc, it still provided a decent collection filler for anyone enamoured with the style.

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The Great 80s Project: 1988

With the decade coming towards its end, 1988 was a genuine mixed bag.  Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.

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The Great 80s Project: 1987

After three years of brilliant pop frivolity, 1987 has a huge contrast in mood with albums and singles that seem far more thoughtful and downbeat. U2 turned in a career best with ‘The Joshua Tree’; Pink Floyd made a huge comeback with the moody ‘A Momentary Lapse of Reason’ and from a more alternative perspective, Sisters of Mercy and The Jesus & Mary Chain made huge waves with epic goth sounds.

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The Great 80s Project: 1986

With debut albums from Crowded House and The Housemartins standing alongside massive hits from Madonna, a-ha and Red Box, 1986 would already have a strong enough grounding to challenge 1984 as one of the decade’s finest years for music. With Huey Lewis’s ‘Fore!’ challenging 1983’s as his masterpiece, a strong AOR debut from Robert Tepper and Jackson Browne’s ‘Lives In The Balance’ channelling a very commercial sound, it was also very much a year for great Transatlantic AOR and sounds that now seem so entrenched within that decade, you can’t help but love them.

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