THE MURDER OF MY SWEET – Echoes Of The Aftermath

murderDespite claiming to draw influences from early Queen, ELO and Genesis, on their 2015 LP ‘Beth Out of Hell‘, The Murder of My Sweet came across as a really overbearing, second rate Nightwish. The album introduced listeners to a concept about a love affair between good and evil; a theatrical narrative made the material harder to digest than it already would have been…and in terms of both good taste and sanity, a children’s choir was the final straw. In short, ‘Beth Out of Hell’ was an egotistical, bloated effort that once heard (and once was enough) had the potential to cause long term mental trauma.

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RITUAL KING – Elixir EP

rk-elixir-epAlthough marketing themselves as a blues rock band, Ritual King don’t always play much in the way of anything too bluesy on most of their debut EP, ‘Elixir’. Their sound is very much of a late 70s rock persuasion, occasionally injected with a very slight bluesy swagger – a sound that, although fairly solid, too often lacks that special something needed to distinguish them from so many other UK bands at the time of release.

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THUNDERMOTHER – Road Fever

thundermother-lpSex should never be an issue when it comes to musical abilities. As Vixen’s Share Pedersen once put it many years ago: “[being a good musician] has nothing to do with whether you have a dick – that’s not what you play your instrument with!”, but even so, from The Runaways in the 70s, Girlschool, Femme Fatale and Vixen in the 80s, not to mention countless others throughout the 90s and beyond, the all-female band seems to have (over)excited many a rock fan – and not necessarily for the right reasons.

Since their formation in 2010, Thundermother – five denim clad Swedes armed with ample amplification and an obsession with AC/DC – showed themselves to be truly committed to their chosen style. They quickly attracted a cult audience across Europe and in the lead up to their third full length LP ‘Road Fever’ worked really hard to expand their audiences on the live circuit, a place where their old style rock is (understandably) at its best.

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GRAHAM BONNET BAND – The Book

graham-bonnet-bandGraham Bonnet is one of the UK’s hardest working rock vocalists. In the past, he’s fronted big name bands, been a voice for hire for several widdly guitarists and even found time in between for a hit and miss solo career. When on good form, Bonnet can be terrific (as evidenced on Rainbow’s classic ‘Down To Earth and his own ‘Line Up); when he misses the mark, he has the ability to do so in a devastating way (the Blackthorn debut is pretty nasty, and somehow his solo LP ‘No Bad Habits’ from 1978 ended up being one of the worst albums ever recorded). Despite these inconsistencies, the Skegness born singer has reached legendary status.

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THE BAD FLOWERS – The Bad Flowers EP

bad-flowers-epBlending classic hard rock with a little 70s trashiness, The Bad Flowers come across as black-hearted retro souls on their self-released debut EP. From the dirt in their boots to the electricity pulsing through their veins, the amped up trio pull influence from classic hard rock of the past, creating a sound that’s tailor made for the classic rock fan. The first fruits of their studio work are loud and brash without being unnecessarily confrontational; the song writing tried and tested, but – thankfully – rarely slips into wanton cliché.

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