Yesterday, Swedish rockers Alfavrak released their new album, ‘Kass kontroll’. What can potential fans expect from this new record?
Tag Archives: sweden
MAMMOTH VOLUME – Raised Up By Witches
Swedish stoner rock band Mammoth Volume are an interesting prospect. Their work isn’t shy in sharing the kind of 70s guitar tones you’ll find on early Queens of The Stone Age recordings, or exploring the corners of retro sounds beloved by latter day Opeth, but there’s always more to their albums than fuzzy heaviness and Hammond drenched grooves. ‘Raised Up By Witches’, their fifth release, in many ways, finds their mix of blues, fuzzy stoner metal and jazz coming of age.
SVARTANATT – Last Days On Earth
Following a couple of strong releases in 2016 and 2018, Svartanatt made a long overdue return in 2023 with their single ‘Child of The Devil’. By opening with a riff that sounded like a souped up version of ‘Born To Be Wild’ meeting with a rough approximation of the early Blue Oyster Cult, the track wasn’t exactly shy in advertising the fact that the band’s music had taken on an even more retro feel than before, but with the aid of swirling organ worthy of Ken Hensley, a rousing chorus loaded with gang vocals – albeit half buried under a bluster of guitar and keys – and a strong speed driven groove, it suggested that the forthcoming album would be an absolute blast. Fans were not to be short changed.
STREETLIGHT – Ignition
Fashion be damned! Swedish melodic rockers Streetlight champion a very commercial blend of AOR and melodic rock on their 2023 album ‘Ignition’. Capturing a perfect sound that celebrates some of the scene’s greatest bands and influences from those 1987-89 glory days, it’s an album packed with massive choruses, but comes with an even bigger concession to brilliantly played, shiny sounding keyboards. There are few musical surprises, but a whole world of giant hooks will ensure lovers of old school AOR will find a near instant liking of the Streetlight sound.
DIMWIND – The Futility Of Breathing
In 2022, Swedish post metal act Dimwind released what could only be described as a very ambitious recording. The fifteen minute ‘Window Passed’ was presented as half of a split release with black metallers Breaths, and basically acted like an effective CV. During its quarter of an hour, the track moved through heavy riffs in a post rock vein, teased with drone, and even exploded into passages of instrumental black metal. It should have been really challenging, but something within Dimwind’s soundtrack like state ensured that even their heaviest outbursts seemed very natural.