Eleven years after the release of their well received ‘Wings of Love’ album, the bulk of Find Me’s ‘Nightbound’ sees the much loved AOR band often sticking to a tried and tested brand of melodic rock. A couple of tracks deviate from the formula to explore different avenues of classic rock, but it’s fair to say that this fifth album plays very much to the fan. Drawing influence from bands like Survivor – whose Jim Peterik scores co-writing credits – and more modern melodic rock bands like Lionheart, the material has no real care for fashion, but what it does, it does brilliantly. So much of the strength in the band’s sound is due to vocalist Robbie LaBlanc (sometime of Blanc Faces) who possesses one of the best melodic rock voices of his generation. When you have someone like Robbie on board, capable of summoning the power of Joe Lynn Turner circa 1985 and the huge melodic sounds of a peak Dave Bickler or Steve Overland, there’s little point in trying to branch out or add new twists to a classic rock backdrop – his huge voice handles the 80s influenced sounds so perfectly.
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ANGELICA – All I Am
Angelica Rylin’s solo debut ‘Thrive’ (Frontiers Records, 2013) was a decent AOR record. The core of its material took its influence from Robin Beck and other female stars from the late 80s and despite a very predictable approach to the material, Rylin gave strong vocal performances throughout. Its dozen well-written, chorus driven rockers opted for big hooks and bigger melodies at almost every turn and by going for a less bombastic approach than her band The Murder of My Sweet, it certainly made Rylin far more of an appealing musical prospect.
THE MURDER OF MY SWEET – Brave Tin World
In 2015, The Murder of My Sweet released a terrible concept album called ‘Beth Out of Hell‘ which their record company likened to ELO and Queen. A brave but foolish claim: in reality, the album sounded a fourth rate Nightwish and it’s hard to imagine even the most staunch Euro metal fan would’ve enjoyed such a charmless, generic set of songs. Its follow up, 2017’s ‘Echoes of The Aftermath‘, was much better in that it actually gave a concession to some more melodic material, but even so, it still wasn’t the kind of record that would set the world alight. None of the band’s shortcomings lay with singer Angelica Rylin. She has a great voice, and as demonstrated on her solo album from 2013, she’s capable of using it far better than The Murder of My Sweet’s general bombast ever seemed to allow.
FIRST SIGNAL – Line Of Fire
Between the release of First Signal’s 2016 album ‘One Step Over The Line’ and 2019’s ‘Line of Fire’, the band’s core members kept themselves very busy. Vocalist Harry Hess recorded another album with his “day job” band, Harem Scarem (2017’s ‘United’); guitarist Michael Palace released his second band album with Palace – the appropriately named ‘Binary’ – and Daniel Flores returned to The Murder of My Sweet, releasing ‘Echoes of the Aftermath’ on Frontiers Records in 2017. In addition during those intervening three years, Flores and Palace scored themselves jobs as invaluable members of the Frontiers “house band”, lending their talents to releases by Toby Hitchcock, Find Me and Code Red. There’s almost been no time for them to sleep.
FIND ME – Angels In Blue
Combining the talents of Blanc Faces vocalist Robbie LaBlanc and Chilean multi-instrumentalist Daniel Flores, Find Me are a band that recycle classic 80s rock sounds with love. The musicians were brought together by Frontiers Records’ President Serifino Perugino in 2013 to try and fulfil his dream of creating “the perfect AOR record”. Their debut album ‘Wings of Love’ was an excellent example of the genre, though measured against many of the 80s classics, to call it “perfect” would, perhaps, be a little overzealous. The odd thing is that Perugino had something close to his dream under his nose the whole time with Work of Art’s 2008 debut ‘Artwork’, but nevertheless, he wanted more. The fans loved it, of course; the reviews were almost all positive and Find Me eventually recorded a second album at the end of 2015.
As the next couple of years ticked by, with Flores reconvening The Murder of My Sweet in 2017 and working with Palace in 2018 and no word from LeBlanc, a third Find Me record seemed increasingly unlikely. …And then, at the beginning of 2019, the band announced their big return…much to the delight of most who’d followed them previously.