Despite claiming to draw influences from early Queen, ELO and Genesis, on their 2015 LP ‘Beth Out of Hell‘, The Murder of My Sweet came across as a really overbearing, second rate Nightwish. The album introduced listeners to a concept about a love affair between good and evil; a theatrical narrative made the material harder to digest than it already would have been…and in terms of both good taste and sanity, a children’s choir was the final straw. In short, ‘Beth Out of Hell’ was an egotistical, bloated effort that once heard (and once was enough) had the potential to cause long term mental trauma.
Formed in 2007 around the talents of drummer/producer Daniel Flores and vocalist Angelica Rylin, The Murder of My Sweet is a symphonic metal band based in Sweden. Their third album, 2015’s ‘Beth Out of Hell’ is a ridiculously grand affair straddling a fairly typical symphonic metal sound with huge elements pulled from musical theatre. Those who enjoy Within Temptation, Nightwish et al might glean some listening enjoyment, but to say its bombast is both one-paced and predictable would be an understatement.
Since this debut record from Angelica Rylin pays homage to her childhood heroes Robin Beck and Ann Wilson, it’ll come as no surprise that the album, therefore, ploughs a well-worn furrow of melodic rock. With Frontiers Records regular Daniel Flores handling production duties/drums/song-writing and other regulars Alessandro Del Vecchio and Robert Sall also having a hand in proceedings, the whole thing feels like an all-chums-together affair. There’s nothing wrong with that per se, but obviously the combination of a familiar team and a rigid musical blueprint makes ‘Thrive’ feel wholly predictable. So, given that this album breaks absolutely no new musical ground whatsoever, why should you check out Angelica, when there is so much other rock music out there vying for your attention?