It’s long been a tradition at Real Gone that we bring you an easily digestible reminder of some of the year’s best new music as December starts to draw to a close. This year, we’ve got some great stuff to share with you – it’s probably our most varied selection yet!
It’s been a great year at Real Gone. Not only did the website celebrate its tenth birthday, but we got more requests and submissions for review than ever! This year, everything felt like it had truly come together and paved the way for the next phase of the website’s lifespan.
This year, Real Gone received hundreds upon hundreds of review items and digital streams. Obviously, there isn’t enough time to review everything…but from the mountain of stuff we got to listen to and review, there was a lot of great music.
It’s approximately 8.25 at the Shepherd’s Bush Empire. Jim Bob has not long finished an excellent acoustic set and Alice Cooper is bellowing ‘Hello, Hooray’ across the PA system. Whether or not this choice of between set music has been chosen deliberately or is just a welcome coincidence remains to be seen. However, its lyric concerning letting the show begin and pulling in the audience is certainly apt. Tonight, the near capacity crowd are very keen…and – in some cases – especially so, since they’ve got a good idea of the night’s set list. Stourbridge’s finest, The Wonder Stuff, have promised that their first two albums – 1988’s ‘The Eight Legged Groove Machine’ and 1989’s ‘Hup’ – will be played in full. These are albums that still mean the world to most of The Stuffies’ loyal fanbase. They’re also albums that have the potential to be enjoyed by listeners who might not have connected with them that first time around. More than just nostalgia, the coming set is automatically geared towards fantastic songs. High spirits and a lot of crowd singing are both guaranteed.
It’s the middle of December and there’s a conflicting mood in the air. People are gearing up for Christmas so there’s a bustling feel to the city, yet at the same time, it’s the night after a General Election so any excitement is contrasted by the dread of another five years with a Conservative government increasing austerity measures and generally widening an already massive divide between rich and poor.
Taking his place at the mic stand on a sparsely decorated stage, the legendary Jim Bob seems aware of this mood. “I feel like I should say something…profound” he tells the audience, before even playing a note. Quite how profound a man could be while wearing a gold sparkly jacket and sunglasses on loan from The Banana Splits is anyone’s guess. “…Or we could have a sing-song”, he beams, before launching into a stripped down version of Carter’s ‘Is Wrestling Fixed?’, its opening lines greeted with a huge roar. It’s a great performance, but drawing more heavily from the whimsical than the energetic, its a less-than-obvious opener. Nevertheless, the front half of the audience is hugely receptive and even in the bar areas nearer to the back of the venue, bellowing voices are more than evident. Digging further into the Carter back catalogue, the fantastic Billy’s Smart Circus whips up the audience further into a shouting mass – this first dip into the fan favourite ’30 Something’ album boding well for the rest of the set.
We’ve hit December 2019 and that can mean only one thing. It’s time for The Real Gone Advent Calendar!
As is traditional, over the next twenty four days, we’ll be posting a new link. It might be a video. It might be audio only. It might be an old favourite. It might be something brand new and unfamiliar. The only way to find out is by coming back each day and opening a new window.